Junta (whole Album) by Phish
PHISH - Junta (whole Album) guitar tab
Junta
David Bowie
From: Neil Berkman < [email protected]>
I've made no attempt to indicate timing, so you'll have to listen to a recording for that.
B/Db Dbm7 A B
H H S H H
E|----------------------------------------------------------------------------|
B|-4---5----4--5---x-x-----x-2--x-4-x-x---4--5---4--5---x-x-----x-2--x-x-4-x--|
G|-4--(4)---4-(4)--x-x-----x-2--x-4-x-x---4-(4)--4-(4)--x-x-----x-2--x-x-4-x--|
D|-4---6----4--6---x-x-----x-2--x-4-x-x---4--6---4--6---x-x-----x-2--x-x-4-x--|
A|-4--(4)---4-(4)--x-x-----x-x--x-x-x-x---4-(4)--4-(4)--x-x-----x-2--x-x-4-x--|
E|----------------------9------------------------------------9----------------|
Da- vid Bo-wie Da-vid Bo-wie *
This is played through a total of three times, then started a fourth time.
The fourth time is the same up the point marked with a * and then:
B
/S /S /S
E|----------------------------------------------------|
B|-x-4----------4-5-6-7----------------------4-5-6-7--|
G|-x-4--------4--------------2-----4-------4----------|
D|-x-4------4----------------2-----4-----4------------|
A|-x-2--4-6--------------2-4---4-6---5-6--------------|
E|----------------------------------------------------|
( # )
The part within the parentheses is played a total of three times, then started a
fourth time, stopping at the point marked with a #
(Note: when you are playing the "UB40" part, this is where it stops paralleling
the "David Bowie" part - don't worry about this until later).
Next, the first part is played through three more times, then started a fourth time and
played up to the point marked with a *, followed by what I think Trey & co. call the first interlude:
E|---------------------------------7----------------|
B|-----------4-7-4-------------5-7---7-5------------|
G|---------6-----------4-7---6-----------6-4--------|
D|-----4-7---------7-4-----7-----------------7-4----|
A|---6-------------------------------------------7--|
E|-7------------------------------------------------|
After playing this, move the whole thing down 2 frets (so your pinkie is on on the 5th fret)
and play the same pattern. The next time through, again move it down 2 frets and play the
same pattern, although the fingering is a bit different since there are some open strings.
Next, move the whole thing up so that your pinkie is on the 13th fret, then down to the 11th fret,
and finally down to the 9th fret.
Next, the guitar rests for two beats while the piano plays C# then A, then plays:
E|-------------------12--------------------|
B|-11----12-------13-------11-12-13-11-----|
G|----11----12-13-------13-------------13--|
D|-----------------------------------------|
A|-----------------------------------------|
E|-----------------------------------------|
( )
A couple of notes on this: I play the first 6 notes with my ring finger, moving it up from
the 11th to 13th frets. Also, I cheat on the part marked in parentheses, playing it like:
P
E|------------------|
B|----11-13-11------|
G|-13----------13---|
D|------------------|
A|------------------|
E|------------------|
Next, this whole pattern is moved up chromatically and played starting on the 12th
fret and again at the 13th fret.
Then comes:
E|-------------------15--------------------------------------------|
B|-14----15-------16--------12-13-14-15--15-14-13-12--14-15-16-17--|
G|----14----15-16-------16-----------------------------------------|
D|-----------------------------------------------------------------|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
E|-----------------------------------------------------|
B|-17-16-15-14--16-17-18-19--19-18-17-16--18-19-20-21--|
G|-----------------------------------------------------|
D|-----------------------------------------------------|
A|-----------------------------------------------------|
E|-----------------------------------------------------|
Then comes a fast descending chromatic run:
E|-20-19-18-17--19-18-17-16--18-17-16-15--|
B|----------------------------------------|
G|----------------------------------------| etc...
D|----------------------------------------|
A|----------------------------------------|
E|----------------------------------------|
And so on until:
E|-10-9-8-7-----------------------------------------------|
B|----------10-9-8-7--------------------------------------|
G|-------------------10-9-8-7-----------------------------|
D|----------------------------10-9-8-7--------------------|
A|-------------------------------------10-9-8-7-----------|
E|----------------------------------------------10-9-8-7--|
I'm not entirely sure about this last part, but it's close.
Next comes the "UB40" part, which is exactly like the "David Bowie" part except
everything is moved up 3 frets. I put a note indicating where the UB40 part stops
paralleling the David Bowie part. After that point comes the _really_ weird part
(the second interlude). This part is based on a long pattern that repeats in several
positions, but is not played all the way through in a couple of these positions:
/S /S H
E|------------------------------------------10--------------------------|
B|-----12-----10-----9-------------------11----11-----8--9--------------|
G|---9----9------9------8--9--8--9--9-12----------12--8-(8)-8-----------|
D|-9--------9------9----9-10--9-10----------------------------11-10-11--|
A|----------------------------------------------------------------------|
E|----------------------------------------------------------------------|
P /S /S
E|-----8-------------------------------------------------------------|
B|-7-9---9---10----10--11-(10)--12----------------------------12-12--|
G|---------8--8----10--10--10---10---9-10---9-10--10-10-13-13--------|
D|-----------10----10--10--10---10--10-11--10-11---------------------|
A|-------------------------------------------------------------------|
E|-------------------------------------------------------------------|
*
A B
H H /S /S
E|------------------5-5--7-7----------------|
B|-9-(10)--9-(10)---7-7--9-9----------------|
G|-9---9---9---9----7-7--9-9----------------|
D|------------------7-7--9-9-------9--------|
A|----------------------------9-11---11-13--|
E|------------------------------------------|
+
At this point, this whole pattern repeats with everything moved up 2 frets
(so the first note played is on the 11th rather than the 9th fret).
Then, after the last slide from the 13th to the 15th fret, the following is played,
and then held for four beats:
Ab
E|-----|
B|-13--|
G|-13--|
D|-13--|
A|-----|
E|-----|
Next, the whole pattern is repeated 3 frets down from the original position
(so the first note played is on the 6th rather than the 9th fret).
The pattern is started again 2 frets up from this position (so the first note
is played on the 8th fret), but stops at the point marked with a *.
An E chord is then played and held for four beats:
E
E|----|
B|-9--|
G|-9--|
D|-9--|
A|-7--|
E|----|
Next, the whole pattern is started again 7 frets down from the original position
(so the first note played is on the 2nd fret), until the point marked with a +.
After that comes:
G A
/S
E|-3-3--0-0--------------9------------------------------------------------|
B|-3-3--2-2---------12-9---11-10-12-9-------------------------------------|
G|-0-0--2-2---------------------------9-12-9-11----9----11----------------|
D|-0-0--2-2------2------------------------------12---11----12-9-12-11-----|
A|-2-2--0-0--2-4------------------------------------------------------12--|
E|-3-3--------------------------------------------------------------------|
E|------------------------------------------------------------------|
B|-13-10-12----10----12-9----10-9-----------------------------------|
G|----------12----11------11------9-10----9---------10--------------|
D|-------------------------------------12---10-12-9----11-9-11-8----|
A|---------------------------------------------------------------9--|
E|------------------------------------------------------------------|
E|-----------------------------------------------12--|
B|-11----10------7-8--9-10-11-12-13-14-15-16-17--12--|
G|----12-----7---7-8--9-10-11-12-13-14-15-16-17--12--|
D|-------------8-8-9-10-11-12-13-14-15-16-17-18--14--|
A|---------------------------------------------------|
E|---------------------------------------------------|
Next comes the jam, which is pretty much Em to D. Towards the end, it starts
alternating the Em to D part with a C to D to Em part:
C D Em Em C D Em Em Em D Em D Em D Em D
I'm not sure how Phish decides when to kick into this part - when my old band played it,
the bass player would just scream when he thought the time was right.
Anyway, after alternating these parts a few times, Trey plays a pull-off pattern outlining the C, D, and Em chords:
C D Em C D Em
Repeat 4x Repeat 4x Repeat 8x Repeat 4x Repeat 4x Repeat 8x
P P P P P P
E|-15-12-------17-14-------19-15-------15-12-------17-14-------19-15-----|
A|-------13----------15----------17----------13----------15----------17--|
G|-----------------------------------------------------------------------|
D|-----------------------------------------------------------------------|
A|-----------------------------------------------------------------------|
E|-----------------------------------------------------------------------|
*
This goes back and forth between this pattern and the Em to D part a few times, and
then when Trey decides to end the jam, he plays the pull-off pattern up until the
point marked with a *, and then plays four whole-step bends at the 22nd fret (so he's bending D up to E).
And finally:
-Repeat 4x-
Em A B
E|-----------------------------------------------------------------------|
A|------x-x-x-2--4--4--5--4--5-------------------------------------------|
G|-0----x-x-x-2--4--4-(4)-4-(4)------------------------------------------|
D|-2----x-x-x-2--4--4--6--4--6-------------------------------------------|
A|-2----------------4-(4)-4-(4)------------------------------------------|
E|-0---------------------------------------------------------------------|
drum *
fill
The fourth time the B chord marked with a * is played, I think Trey toggles his pickup
selector switch back and forth. That's about it, I'd appreciate any comments or corrections.
Dinner and a Movie
From: [email protected] (David Douglas McCallum)
Here's what I could figure out of this crazy tune. My tab features a new [for me] notation
underneath that designates what fingers I use for each note, as some of the stretches might
not be that easy or obvious to some players. Of course, this is subjective,
and if you figure out an easier way to play it, please let me know.
Intro chords: Am7 F7
1st verse - no chords (*Guess* what the lyrics are! ;^)
Am7 F7
Let's go out to dinner and see a movie
Am7 F7
Let's go out to dinner and see a movie
Am7 Bb
Let's go out to dinner - and see a movie
B C
Let's go out to dinner and see a movie
Piano & guitar riff
[Play 4x - 1st two: piano & guitar in unison, 2nd two: p&g harmonize]
S/
E|--------------8-10--------------------------------9-------------------
B|------------11----11-10-------------------------13-13-9---------------
G|-----------8----------10-------------------10-13-------10-------------
D|----8-12-10------------10-------------10-11--------------11-10--------
A|------------------------11-10-------11------------------------11-10---
E|8-11-------------------------11-9-13-------------------------------11-
1 4 1 4 3 1 4 1/ 2 1| 2 1 2 1 4 2 1 2 1 4| 1 4 1 2 3 2 3 2 3
Guitar Solo
Piano & guitar riff again
"Sing-song" section [play 4x]
Amaj7 Dmaj7
Let's go out to dinner and see a movie
Last verse
Am7 F7
Let's go out to dinner and see a movie
Am7 F7
Let's go out to dinner and see a movie
Am7 Bb
Let's go out to dinner - and see a movie
Bdim Cdim
Let's go out to dinner and see a movie
Divided Sky
From: Kirk Mehtlan ( [email protected])
From: Eric Berman ( [email protected])
From: Neil Berkman ( [email protected])
Intro theme:
|: A D9/A (4 times) C/A A(9) :| C/A E (A) "Ahh... Divided sky, the wind..."
The chords are played like this:
A C D9
E:--0---0---12--
B:--5---8---10--
G:--6---9---11--
D:--7---10--12--
A:--0-------0---
This is followed by a few measures of really ecclectic "Palindrome" section, for which I thank Neil Berkman.
DR Downward rake: don't alternate pick - play all notes in a single downward motion
UR Upward rake
I've also included the position I play each section in under the tab -
the number indicates where I put my index finger for each part.
(Starts at 1:17 on the CD)
DR-- H DR-----
E|----------------------------------------------------------------------------|
B|----------------------------------------------------------------------------|
G|-------------10--------------------11-13-11-----12--------------------------|
D|-------11-13----13-11-----------12-----------13--------14-12----12-14-14-14-|
A|-12-12----------------12--13-13--------------------14--------15-------------|
E|----------------------------------------------------------------------------|
10 11 12
DR-- H DR-- H DR-----
E|----------------------------------------------------------------------------|
B|-----------------------------------11-13-11-----------12--------13----------|
G|-14-12----10-12----10-12--------11----------11------------------------------|
D|-------11-------11-------11--12----------------12--13----13--14----14-------|
A|----------------------------------------------------------------------------|
E|----------------------------------------------------------------------------|
10 11 12 13
This marks the halfway point of the palindrome (at 1:25).
UR----- P P
E|----------------------------------------------------------------------------|
B|----13--------12-----13-11-------------11-13--------------------------------|
G|---------------------------11-------11--------14-12-12-10----12-10----------|
D|-14----14--13----13-----------12-12-----------------------11-------11-------|
A|----------------------------------------------------------------------------|
E|----------------------------------------------------------------------------|
12 11 10
UR----- UR-----
E|----------------------------------------------------------------------------|
B|----------------------------------------------------------------------------|
G|--------------------------12-----13-11----------11--10-10----------------10-|
D|-14-14-14-12----12-14--------13--------12----12-----------11-------11-13----|
A|-------------15--------14-----------------13-----------------12-10----------|
E|----------------------------------------------------------------------------|
12 11 10
At this point (1:33) the first half of the palindrome is played again.
The palindrome portion ends with 6 notes that lead into some relatively straightforward chords;
no timing information is shown below, you have to listen to the song to see where the changes are.
The 6 notes are G A B G# A# C, and the chords are:
|: A A/C# G/D G/B A/C# D/A G/B A :| D9
The D9 here is played with an open E string, like this:
D9
E:--0-
B:--3-
G:--2-
D:--0-
A:----
This leads into the following chords that are in something like a 15/8 time; it flows very naturally,
but is not a straight 4/4 (I think it jumps around; I haven't really broken it down all the way yet).
Each pair of chords in parentheses below is repeated 3 times.
(Am7 Bm7) (Cm7 Dm7) (Ebm7 Fm7) (F#m7 Abm7) (Am7 Bm7)
I'm fairly certain that Trey is using the standard Jazz fingering for these minor 7 chords:
Am7 Bm7 (etc.)
E:--5-----7-
B:--5-----7-
G:--5-----7-
D:--5-----7-
A:----------
E:--5-----7-
The idea is that you use your 2nd finger on the 6th string and the 3rd finger barred across the
other 4 strings, and you play all of these chords in the same way, just changing your position on the fretboard.
Anyhow, this leads directly into the first guitar solo. The bend on the first note and the slide,
pull-offs, hammer ons, and vibrato, are the keys to playing this right.
Again, no timing information is shown (sorry).
Solo 1:
A C F#m E D
1
/ P P P P H ~
E|------9----------------------------------------------------------|
B|-12-----12-9-9------------------10-9-------12----------------10--|
G|---------------11-9-----9------------9--------11-(9)-------------|
D|--------------------11----11-9---------9-------------11-9-11-----|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
B A
/S P H ~ P H ~ P H /S ~
E|-----------------------------------------------------------------|
B|-----------------12------------12------------12-10---------10----|
G|-----------------------------------------------------------------|
D|-11-13--13-11-13------13-11-13-----13-11-13--------11-9-11-------|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
This repeats twice, on the second time playing this bridge:
A E Eb F# A C
1
/ P P
E|------9-------------------------------------------9-9-11-12-|
B|-12-----12-9-9------------------------10-11-11-13-----------|
G|---------------11-9-----9--9-11-12-12-----------------------|
D|--------------------11--------------------------------------|
A|------------------------------------------------------------|
E|------------------------------------------------------------|
Eb F# A
E|-12-14-15--15-17-18---18-20-21--------|
B|--------------------------------------|
G|--------------------------------------|
D|--------------------------------------|
A|--------------------------------------|
E|--------------------------------------|
The solo repeats twice more, ending like this:
A E D/E E A/E Emaj7 A/E E D/E Gm7 Gm7b5 F
1 |
/ P P v
E|------9------------------------------------------------------------|
B|-12-----12-9-9--------------7--9--10---9---10--9--7--11---11----10-|
G|---------------11-9-----9---7--9--9----8---9---9--7--10---10----10-|
D|--------------------11------7--9--11---9---11--9--7--12---11----10-|
A|----------------------------7--7-------7-------7--7--10---10----8--|
E|-------------------------------------------------------------------|
The organ plays on the F chord very quietly as the second solo starts.
Notice the implied notes (in parentheses); these are sometimes played, sometimes not,
but they are very important to the feel of the song. Don't emphasize them too much;
they should be used as passing guide tones.
Solo 2:
F Bb C Am7
H H H P
E|----------13---------------13-12-10----12-10----12-(10)-12-10----|
B|-------10---------------10----------12-------12---------------13-|
G|-10-12------------10-12------------------------------------------|
D|-------------(10)------------------------------------------------|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
Dm7 Gm7 C F
H H P H H
E|----------10------------10---------------------------------------|
B|-------10-------------10---13-11----13-11--(11)-13-(11)-13-11-10-|
G|-10-12-----------10-12----------(12)-----12----------------------|
D|-------------(10)------------------------------------------------|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
This repeats 4 times, the fourth time ending on a BbMaj7 instead of an F, then it plays this bridge:
Dm7 Am7 BbMaj7 F
/S
E|----10-12-13----10-13-12----10-12-10-17-15-13------|
B|-10----------10----------13-------------------13---|
G|---------------------------------------------------|
D|---------------------------------------------------|
A|---------------------------------------------------|
E|---------------------------------------------------|
Dm7 Am7 Gm7 C
E|----------------------------------------------|
B|----------------15-13----------------------13-|
G|----12-14----14-------14-12-14-15-12-14-15----|
D|-15-------15----------------------------------|
A|----------------------------------------------|
E|----------------------------------------------|
The solo repeats 2 more times (substituting the BbMaj7 on the last time again),
then plays the bridge again with more distortion on the guitar, then repeats the solo
2 more times, again substituting the Bbmaj7 and holding the last note as long as possible.
This leads into (yes, you guessed it)....
Solo 3 (Ending theme):
D D/C Bm7 D/A Em Em/Eb Em/D Em/C#*
E:--17------14-15-17-------------14-15-17----------------
B:---------------------15-17-----------------------------
Em Em/Eb Em/D Em/C#
E:---------19----15-17-19-----
B:---------------------------
D D/C Bm7 D/A
E:--14-14-14----14-15-17-----------------
B:---------------------------------------
D D/C Bm7 BbMaj7
E:-17-14----19-17-15-14------------
B:-------15-------------15-17-15---
A D D/C Bm7(D/B) D/A, etc.
E:-----------------15-14---------------------------------------------
B:--14-------15-15-------17----14-14-12-14-15------------------------
(*Note: an alternate way to notate this progression is Em Eb+ G/D C#mb5;
this highlights the falling baseline a bit better at the expense of making the chords seem a lot more complicated.)
Finally, the outtro chords are as follows:
|: D D/C D/B D/A :| D D/C D/B Bb6 Eb Eb/Db Eb/C B6 E E/D E/C# C6 B E
Esther
Eric Berman ( [email protected])
(Music and Lyrics - Trey Anastasio)
Here's how to play the main riff chords in the song. The chords are shown in
the inversion that you should use, top note on top and bottom note on bottom:
F/C F+/C# Dm F7/Eb BbMaj7/D BbmMaj7/Db Am7 Gm7 C7
--- --- --- ---- --- --- --- --- ---
A A A A A A G Bb Bb
F F F F F F E G G
C C# D Eb D Db C F E
D
(Notice that in the BbMaj7 and BbmMaj7/Db, the Bb is implied.
When Mike comes in on the bass, the bass plays the Bb, but the organ doesn't.
Likewise, the A isn't stated in the Am7 until Mike plays it on the bass.)
There are other chords in the song, but the fingering on them isn't as important
as for these, so you can use whatever is comfortable.
Most of the song, especially at the start, has an "oom-pah-pah" feel
(which kind of makes sense, since the song is in 3/4.)
To play the chords correctly, play the bass note, then the other two notes twice.
For example, the intro starts like this:
F/C F+/C# Dm F+/C#
----- ------ ----- ------
A A A A A A A A
F F F F F F F F
C C# D C# ....
Find a good Hammond patch to play it with and your all set...
"Circus theme" Intro:
F E Eb E Eb D C# C B C
Intro:
F/C F+/C# Dm F+/C# F/C F+/C# Dm F+/C#
F/C F+/C# Dm F7/Eb
It was late one fall night at a fairground near town
BbMaj7/D BbmMaj7/Db F/A
When Esther first saw the Armenian man
Am7 Dm
Who grovelled toward her and stood by her side
Gm7 C7
With a bucket that swung in his hand (Bass joins in here)
F/C F+/C# Dm F7/Eb
His grin stretched the folds of his pasty white cheeks
BbMaj7 BbmMaj7 F/A
And his lips hurled a dollop of murk on the curb
Am7 Dm
And the lights from the rides showed a mischievous sparkle
Gm7 C7
That flashed in his hollow eyed stare
(same)
He said "Little girl, you can chop off my legs
And then peel off my socks if you want to.
But I'd rather you took this old puppet from me
That I hold in my pail as we speak."
(same except transition chords at end of verse)
And he stood looking down at the innocent girl
And she stared at the bucket bewildered
Til he lifted the doll for the young girl to see
Gm7b5/Db Eb <--transition chords
And a giant smile grew on his face
Ab Adim Bbm Eb
She saw the doll's eyes and she couldn't resist
Ddim Db Bbm Eb
And she thanked the man quickly and ran to the church
Ab Adim Bbm Eb
And she burst through the door with puppet held high
Ddim Db Bbm
And a hush filled the chapel, and the people looked mean
C C C C C C C C C C C C C C C C
Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab
F E Eb E F E Eb E
B B B B B B B B B B B B B B B B
G G G G G G G G G G G G G G G G
E Eb D Eb E Eb D Eb
D A/C# C G/B
Esther tried in vain to pacify the mob
Bb D/A E7/G# Gm
Quibble grew to spat, to wrangle, then to brawl
D/F# G E7/G# A
The frenzied congregation struggled desperately to fetch
A7 A6 A Dm7
The pretty puppet snugly nestled deep in Esther's leather sack
(Dm7 arpegiation on guitar/piano:)
F D F A C F A C D A C D F C D F A D F A C F A C D
(same chords as earlier verses)
Through the window of the church a storm began to rage
And Esther knew the time had come to flee
She scurried down the aisle toward the doorway in the distance
And out into the rainstorm where she felt she would be free
But the wind was blowing harder
And her skirt began to billow
Until finally her feet began to lift
And she rose above the people and the houses
and the chimneys
Gm7b5/Db Eb
And Esther and the doll were set adrift
Ab Adim Bbm Eb Ddim Db
Floating higher over the hills, and the valleys and treetops
Bbm Eb
they'd flutter and glide
Ab Adim Bbm Eb
Soaring and turning suspended on air
Ddim Db Bbm
With the earth far below them they'd tumble
Eb E
And dive through the clouds
"Flying jam" chord progression:
E->Em->F#m7->F#->B
C7 transition to guitar solo, then chords from the verses under the solo,
then back to the flying jam chords. At the end of this, hold the B chord
and play the following B arpeggio on the guitar:
B D# F# D# (repeat)
(B arpeggiation)
And she began to plummet earthward till she
Landed in the nasty part of town
Em (Bass goes E->Eb->D->Eb and repeats)
She glanced about the village sure to find the evil men
Fm
Who rob and pillage in the darkest hour of night
Ebm
Nervously she fumbled for the pouch that held the
Em
Puppet on her rump.
(Same)
Feeling quite outnumbered Esther hid behind
A nearby pile of lumber, where she waited
Till the dawn
Cause it would have been a blunder to
Succumb to a hoodlum on the prowl
D A/C# C G/B
When the morning came, she wandered through the streets
Bb D/A E7/G# Gm
Along the chilly lake that lay beside the town
D/F# G E7/G# A
At last a peaceful moment, but she thought she heard a sound
A7 A6 A Dm7 (arpeggiation)
It was an angry mob of joggers coming up to knock her down
(same chords as verses)
As Esther stood and shook her head
The joggers were approaching
And she knew she had no choice left but to swim
As the frosty water sank its bitter teeth into her hide
She tried to slide the heavy clothing from her skin
Naked now she made her way toward the shore
When suddenly she felt a tiny tugging at her toe.
And the puppet she'd fogotten wrapped its tiny
Gm7b5/Db Eb
Little arms around her ankle and wouldn't let her go.
Ab etc...
The waves seemed to open and swallow her whole
As the doll pulled her down through the eerie green deep
And the sound of the laughing old man filled her ears
As she drifted away to a tranquil
E (flying jam)
And motionless sleep.
Cool guitar solo over flying jam:
E Em
E|-------------|-15-12-12----------------|
B|-12-14-------|----------12-12-------12-|
G|-------13-13-|----------------12-14----|
D|-------------|-------------------------|
A|-------------|-------------------------|
E|-------------|-------------------------|
F#m F#
/2
E|-17-14-14--17-(17)-14-14--------|-18-14-14---18-14-14--|
B|--------------------------------|----------------------|
G|--------------------------------|----------------------|
D|--------------------------------|----------------------|
A|--------------------------------|----------------------|
E|--------------------------------|----------------------|
B E Em
E|-19-|-------------|-15-12-12----------------|
B|----|-12-14-------|----------12-12-------12-|
G|----|-------13-13-|----------------12-14----|
D|----|-------------|-------------------------|
A|----|-------------|-------------------------|
E|----|-------------|-------------------------|
F#m F#
/2
E|-17-14-14--17-(17)-14-14--------|-18-14-14---18-14-14--|
B|--------------------------------|----------------------|
G|--------------------------------|----------------------|
D|--------------------------------|----------------------|
A|--------------------------------|----------------------|
E|--------------------------------|----------------------|
B E
E|-19--|-21-23--|-12-|
B|-----|--------|----|
G|-----|--------|----|
D|-----|--------|----| Strike and hold an E chord to end.
A|-----|--------|----|
E|-----|--------|----|
Fee
From: Eric Berman < [email protected]>
From: David Douglas McCallum < [email protected]>
Cm Abm
In the cool shade of the banana tree
Bbm Gbm
On the rugged trail toward the balcony
Gbm7 Db
A child of the twentieth century
Ab
A dried up Goliath and a weasel named Fee
(same chords for each verse)
Far away in another place
A fading beauty named Milly Grace
A gospel singer with pocks on her face
And a bamboo cane to help her keep the pace
Fee was a Buddhist prodigy
Long past the age of maturity
Someday he knew it would set him free
Like it did for Floyd the chimpanzee
Eb Bb Db
Oh, Fee, you're trying to live a life
Ab
That's completely free.
Eb
You're racing with the wind
Bb
You're flirting with death
Gm7
So have a cup of coffee
Ab
And catch your breath
Piano solo after the chorus:
Cm Bb Ab Eb Fm7 Cm7 Bb
Fee first met Milly in a bar in Peru
His heart was jumping like a kangaroo
Like a beast in a cage in an old Dutch zoo
It was hopping and thumping in wooden shoes
But Floyd was jealous and alone
He wanted Milly for his own
A desperate craving in his bones
"Their love", he said, "I will not condone."
Then one day on a ship to Quebec
Floyd found Milly on a lover's trek
He picked up a bottle and broke off the neck
It sliced through the air, and Fee hit the deck
Oh, Fee, you're trying to live a life
That's completely free
You want to stay with Milly
Until you're dead
But you just got a bottle
Upside your head
Milly turned and began to scream at Floyd
She said "You think you're pretty mean"
And though she was as thin as a small string bean
She slammed him in the face with a nectarine
Floyd fell back over the edge of the ship
Till he hung from the rail by his fingertip
Milly said, "Floyd I'll make you lose your grip
With this tiny piece of paper I can make you slip"
So Milly took that paper and did the deed
Floyd hit the water with astonishing speed
And as the sharks circled and began to feed
Milly knew her weasel was finally free
Oh, Fee, you're trying to live a life
That's completely free
Floyd is dead; he's nothing but a ripple
Cause Milly took that paper
And sliced him on the nipple
From: David Douglas McCallum < [email protected]>
Also, the key you put it in is the old one that they recorded it in for Junta and
used to play years ago. Nowadays they have dropped it one half step.
This allows the use of open chords [which Trey did, when I watched him]
and is a bit easier on the vocal chords - mine anyway.
I would hope that the full version would make it into the CHORDS file.
P.S. The version of Fee from Ian's Farm - 8/27/87 has the piano solo
section going through twice each time...more room for Page to stretch
out =^)
FluffHead
Transcription by Eric Berman ( [email protected])
Help from Emil Hedaya, [email protected]
Some chords that are useful:
C(I) D9/11(I) G6(I) F2(I) G(II) F2(II)
P P P P
E|--0--------0------10-------8------3------3--
B|--1--------3-------8-------6------0------1--
G|--0--------0-------0-------0------0------2--
D|--2-3-2----4-5-4---9-10-9--7-8-7--0------3--
A|--3--------5------10-------8------2---------
E|----------------------------------3---------
The actual motion at the start of the song is more like this.
E--------------------------------------------------------
B--------------------------------------------------------
G--------------------------------------------------------
D----2-3-2--------4-5-4---------9-10-9---------7-8-7-----
A--3-------3----5-------5----10--------10----8-------8---
E-------------------------------------------------------- |
The additional notes shown after each chord rock up and back to the sus-4 version of the chord;
listen to the song and you'll hear where that note goes.
The song starts out like this:
|: C(I) D(I) G(I) F(I) :| (4x, I think)
Then
G(II) F2(II) 4x
G(II) F2(II) G(II) F2(II)
Fluffhead was a man
G(II) F2(II) G(II) F2(II)
With a horrible disease
G(II) F2(II) G(II) F2(II)
Could not find no cure
G(II) F2(II) G(II) F2(II)
Won't you help him if you please?
C(I) D(I) G(I) F(I) C(I) D(I) G(II)
Fluff-Head!
C(I) D(I) G(I) F(I) C(I) D(I) G(II)
Fluff-Head!
Next verses just like the first:
Fluff came to my door
Askin' me for change
His eyes were clear and pure
But his mind was so deranged
Fluff went to a banker
Askin' for some bills
The banker said, "I ain't got that
But I sure got some powerful pills."
Fluff's Travels
Transcription by Tim Corley (of Hoobis Doobis)
Typed in by Neil Berkman ( [email protected])
Minor editorials by Eric Berman ( [email protected])
These are played twice:
H
E|-------------9-10----12-10-9----------9--9-10-9------------------|
B|-------10-12-----------------10-------10---------------9-12------|
G|-11-12------------12------------11----11-------------9-----------|
D|-----------------------------------12-12-----------9-------------|
A|------------------------------------------------11---------------|
E|-----------------------------------------------------------------|
H
E|-9-------------------------|
B|---12------------10--------|
G|---------------9-----------|
D|------11----11---------11--|
A|---------12---------12-----|
E|---------------------------|
Then the following phrase and chords are repeated twice:
E|----------------| |: E A A/B E A A/B E A A/B D :|
B|----------------|
G|---------4------|
D|---4-6-7--------|
A|-7---------7----|
E|----------------|
Then this twice:
E|--------7-8-7-----|
B|-7-8-10-------8---|
G|----------------7-|
D|------------------|
A|------------------|
E|------------------| G C D G C D G C D C D
The fingerings are:
C D G
E:-3---5--10-|
B:-1---3--8--|
G:-0---0--0--|
D:-2---4--9--|
A:-3---5--10-|
E:-----------|
C/E
^
E|-----------------------------------------------5-8-0-----------|
B|-3-----------------------3-----3-----3-6-0-3-6-----1-----------|
G|---------------2-----2-4---2-4---2-4---------------0-----------|
D|-----0-3-3-0-3---0-3-------------------------------2-----------|
A|---2-----------------------------------------------3-----------|
E|---------------------------------------------------0-----------|
The Chase: (1:09)
E|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-5-2-0-4-0---0-----------------------------------------|
D|-----------3---2---0-3-2-----3-0---2-3-2-3---3-0---2---|
A|-----------------3-------3-1-----1---------1-----1-----|
E|-------------------------------------------------------|
E|-----------------|
B|-----------------|
G|-2---0-----------|
D|---3---2-3-0-2---|
A|---------------3-|
E|-----------------|
rake
E|-12-10-------------------------------------------|
B|-X-----11-8--------------------------------------|
G|-X----------10--------------10-7----9-7---5------|
D|-X-------------10-8------10------10-----8---7----|
A|--------------------10-8-------------------------|
E|-------------------------------------------------|
E|-------------------------|
B|-------------------------|
G|-------------------------|
D|---5-8-7-----8-5---7-8-7-|
A|-8-------8-6-----8-------|
E|-------------------------|
E|-----------------0-2-3-0---2---------------------|
B|-------------------------3---3-1-3-0-----1-0-----|
G|-------------2-4---------------------0-2-----0---|
D|-5-4-----0-2-----------------------------------3-|
A|-----0-2-----------------------------------------|
E|-------------------------------------------------|
E|--------------------------------------------------------------------|
B|--------9-8-----------5-4-------------------------------------------|
G|---8-10-----8-6-3-4-6-----4-2-------5-4-----5-2---4-5-4-5---5-2---4-|
D|-10---------------------------4-5-7-----5-3-----3---------3-----3---|
A|--------------------------------------------------------------------|
E|--------------------------------------------------------------------|
E|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-5-2-0-4-0---0-----------------------------------------|
D|-----------3---2---0-3-2-----3-0---2-3-2-3---3-0---2---|
A|-----------------3-------3-1-----1---------1-----1-----|
E|-------------------------------------------------------|
|--Half time->
E|-----------------------------------------0---2---------------------|
B|-------------------------------------------3---3-1-3-0-----1-0-3-0-|
G|-2---0-----------2-0-4-0---0-----------0---------------0-2---------|
D|---3---2-3-0-2-----------3---2---0-3-2-----------------------------|
A|---------------3---------------3-----------------------------------|
E|-------------------------------------------------------------------|
|--Full Speed->
E|-----------------------------------------------------------------|
B|---2-------------------------------------------------------------|
G|-2---2-0-2-------0---2-0-------4-----2-------------0-----5-2-0---|
D|-----------4-0-2---4-----2-4-0---5-4---5-4-0-4-0-2---4-0---------|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
B|---------------------------------2---------------4---------------|
G|-3-2-----4-5-2-0-4-0---0-----4-2---2---2-----6-4---4---4---------|
D|-----2-3-------------3---2-0---------5---4-2---------7---6-4-----|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
E|----------------0---2--------------------------------------------|
B|-----5------------3---3-1-3-0-----1-----0------------------------|
G|-8-6--5---5-------------------0-2---2-0---0---0------------------|
D|--------8---7-5-----------------------------3---2---0-3-2--------|
A|--------------------------------------------------3--------------|
E|-----------------------------------------------------------------|
E
E|---------------------------------------------------------------0-|
B|---------------------------------------------------------------0-|
G|--------------------------------2---0--------------------------1-|
D|-----3-0---2-3-2-3---3-0---2------3---2-3-0-2---0--------------2-|
A|-3-1-----1---------1-----3--------------------3---2-3-0-2------2-|
E|----------------------------------------------------------3-0--0-|
Who Do? We Do!: (2:21)
E|-------------16----------------------------14-15-17-18-20--|
B|----14----13----14-12-------------14-16-17-----------------|
G|-------15-------------13-----------------------------------|
D|-16----------------------14----16--------------------------|
A|----------------------------16-----------------------------|
E|-----------------------------------------------------------|
Then this phrase seven times:
E|-21-19--------|
B|-------19-----|
G|----------18--|
D|--------------|
A|--------------|
E|--------------|
E|16----------------------------------------15----------14----------|
B|------------------------------------14-16----16-14-16----15-13-15-|
G|---13-12-------13-12----------12-14-------------------------------|
D|---------13-11-------13-11-13-------------------------------------|
A|------------------------------------------------------------------|
E|------------------------------------------------------------------|
/S /S /S /S /S
E|-14----------14----------------------------------------------------|
B|----15-13-15----15-13-------12-------13-------14-------15-------16-|
G|----------------------11-12----12-13----13-14----14-15----15-16----|
D|-------------------------------------------------------------------|
A|-------------------------------------------------------------------|
E|-------------------------------------------------------------------|
/S /S /S /S
E|-----------------------------------------------------------------|
B|-------17-------18-------19-------20----------20-----------------|
G|-16-17----17-18----18-19----19-20----20-18-20----20-18-20-18-----|
D|-------------------------------------------------------------19--|
A|-----------------------------------------------------------------|
E|-----------------------------------------------------------------|
E|----------------------------------------------19-19-19-19--------|
B|-------------------19----------19--------------------------------|
G|----------------------19-17-19----19-17----18--------------------|
D|-17----------17-19----------------------19-----------------------|
A|----18-16-18-----------------------------------------------------|
E|-----------------------------------------------------------------|
Now these chords:
B (4x) C# (2x) C (1x) D (3x) E (2x) F (3x) F#m/C#? (5x)
These are fingered as:
B C# C D E F F#m/C#?
E:-7--9---8--10--12--13--14---
B:-7--9---8--10--12--13--14---
G:-8--10--9--11--13--14--14---
D:-9--11--10-12--14--15--15---
A:-----------------------16---
E:----------------------------
Then these chords are played 4 times:
(This is under the bluesy piano part that begins at 3:15)
|: Em F#m G A :|
Then a D chord is played, followed by these chords 7 times:
|: A E C D :|
Then A E C again, and then these:
Bb (3x) C (5x) Bb (3x) C (5x) D (4x) Em (3x) F#7? (2x) B5 (2x)
B2 (4x) C# (2x) C (1x) D (3x) E (2x) F (3x)
These are fingered as follows:
Bb C D E F#7? B1 B2 C# F B5
E:-6---8--10--12--14----19--7---9---13---
B:-6---8--10--12--14----19--7---9---13---
G:-7---9--11--12--15----20--8---10--14---
D:-8---10-12--14--14----21--9---11--15-9-
A:----------------16-------------------9-
E:----------------14-------------------7-
Then the following chords are played:
F#m/C#? (5x) Gm/D? (4x) G#m/D#? (3x) Am/E? (2x) A#m/F? (1x) Bm/F#? (1x)
These are fingered as:
F#m/C#? Gm/D? G#m/D#? Am/E? A#m/F? Bm/F#?
E:--14------15----16------17----18-----19-----
B:--14------15----16------17----18-----19-----
G:--14------15----16------17----18-----19-----
D:--15------16----17------18----19-----20-----
A:--16------17----18------19----20-----21-----
E:--------------------------------------------
Clod: (4:12)
This is repeated three times:
? ? slide down from this
E|-6----------5------12-12-12--12-12-12--22-------------------------|
B|-6--------5---5----10-10-10--10-10-10-----------------------------|
G|-6------6------6---10-10-10--10-10-10-----------------------------|
D|-8-----8---------8-10-10-10--10-10-10-----------------------------|
A|-7----7-----------------------------------------------------------|
E|-6--5-------------------------------------------------------------|
Dm
Tipsy fuddled boozy groggy elevated
Dm C Dm
Prime did edit her
Dm
Hellborn elfchild roadhog mountain fortune hunter
Dm C Dm
Man beheaded her
G A
Fat bulk expanse mass lump block clod
Dm
Tipsy fuddled boozy groggy elevated
Dm C Dm
Prime did edit her
Next round uses the same chords:
Dm
Rabid victim martyr stranded
Dm C Dm
Level headed boy, ya better bend
Dm
Soon your luscious honey sugar
Dm C Dm
Mellifluous life is gonna end
G A
Fat bulk expanse mass lump block clod
Dm
rabid victim martyr stranded
Dm C Dm
level headed boy, ya better bend
And of course....
G C Am7 D
Fluff-Head (repeat and fade)
Then play opening theme from Fluffhead.
Foam
From: [email protected] (Eric Berman)
Foam is a fairly straighforward solo to play, but it's a lot of fun nevertheless.
The solo works very directly from the chords: if you look at the notes of the solo,
it's really just arpeggiations that outline the chord changes.
The beauty of the solo (IMHO) is how each chord leads into the next,
and how the solo anticipates the chord change in such a natural way.
Solo to "Foam" by Trey Anastasio and Phish
Chrds:C A/C# G/D
/S /S /S
E|---|-----8-10-12-----12-10-|-9--------------|-----7---10---7---|
B|---|---8-------------------|---10-----------|---8---8----8---8-|
G|-8-|-9---------------------|------9-----9-8-|-7----------------|
D|---|-----------------------|----------------|------------------|
A|---|-----------------------|----------------|------------------|
E|---|-----------------------|----------------|------------------|
Eb+ C/E F
E|-11------------|-12----10----------12---|-13----12----10----13----|
B|----8----10-10-|----10----10-13-10----10|----10----10----10----10-|
G|---------------|------------------------|-------------------------|
D|---------------|------------------------|-------------------------|
A|---------------|------------------------|-------------------------|
E|---------------|------------------------|-------------------------|
D/F# G
E|-14----12----10----14----|-15----14----12----15----|
B|----10----10----10----10-|----12----12----12----12-|
G|-------------------------|-------------------------|
D|-------------------------|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|
E/G# Am BbMaj7
/S
E|-16----14----12----16-|-17-17------------|----------------15-16-|
B|----12----12----12----|---------18-17----|----------15-18-------|
G|----------------------|------17-------15-|-15-14-15-------------|
D|----------------------|------------------|----------------------|
A|----------------------|------------------|----------------------|
E|----------------------|------------------|----------------------|
Am Ab C/G
E|-17-17-17--------|-16-15-------------------|-------------------------|
B|----------17-----|-------16----------------|-------------------------|
G|-------------14--|------------13-12--------|-------------------------|
D|-----------------|------------------13-----|----14-17-16-15-14-------|
A|-----------------|----------------------15-|-15----------------15-16-|
E|-----------------|-------------------------|-------------------------|
-----/
D/F# F
/S
E|-------------------------|-------------------------|
B|-------------15----------|-------------------------|
G|-------14-16----16-14----|----14-17-16-15-14-------|
D|----16----------------14-|-15----------------15-16-|
A|-17----------------------|-------------------------|
E|-------------------------|-------------------------|
G C
E|----------15-------------|-------------------------|
B|-------15----17-16-15----|----20-19-18-17----------|
G|----16----------------18-|-17-------------17-16-15-|
D|-17----------------------|-------------------------|
A|-------------------------|-------------------------|
E|-------------------------|-------------------------|
A/C# G Eb+
/S
E|-------------------------|----------------|------------------------|
B|----17-16-15-14----------|----------14-15-|-16------------12----12-|
G|-14----------------14-15-|-16-16-16-------|----16---11-12----13----|
D|----------------14-------|----------------|------------------------|
A|-------------------------|----------------|------------------------|
E|-------------------------|----------------|------------------------|
-----------+
C/E F D/F#
/S
E|--------------|-------------|-------------------------|
B|-------12-----|----13----13-|----12----12----12----12-|
G|-14-------14--|-14----14----|-14----13----12----11----|
D|----14--------|-------------|-------------------------|
A|--------------|-------------|-------------------------|
E|--------------|-------------|-------------------------|
-------+
G E/G# Am BbMaj7
/S S
E|---------------|-----------|-----19-17-17-|-18-------20-17-----|
B|------15-17-15-|-17-----17-|-17-----------|-------18-----------|
G|-12---12-14-12-|-13--16----|-14-----------|----19-----------16-|
D|---------------|-----------|--------------|--------------------|
A|---------------|-----------|--------------|--------------------|
E|---------------|-----------|--------------|--------------------|
Am Ab C/G
/S P
E|-------19-18--16----|----16-15----------|-------15----15---|
B|----17-----------17-|-16-------16-------|------------------|
G|-17-----------------|-------------17----|------------------|
D|--------------------|----------------18-|-17-17----17------|
A|--------------------|-------------------|------------------|
E|--------------------|-------------------|------------------|
D/F# F G
E|-------14----14-|-------13----13-|----12----11----12----11-|
B|----------------|----------------|-------------------------|
G|----------------|----------------|-------------------------|
D|-16-16----16----|-15-15----15----|-14----13----12----11----|
A|----------------|----------------|-------------------------|
E|----------------|----------------|-------------------------|
(Notice: the rest of the solo is simply octaves on the bass note of
the chord. Kind of makes it simple. My notes are only approximate;
the fingerings/frets should be right, but listen to the song to get
the exact feel)
C A/C# G Eb+#
E|--------8----8--|-------9-----9--|-------10----10-|------11-----11-|
B|----------------|----------------|----------------|----------------|
G|----------------|----------------|----------------|----------------|
D|-10-10----10----|-11-11----11----|-12-12----12----|-13-13----13----|
A|----------------|----------------|----------------|----------------|
E|----------------|----------------|----------------|----------------|
C/E F D/F# G
E|-------12----12-|-------13----13-|-------14----14-|------15-----15-|
B|----------------|----------------|----------------|----------------|
G|----------------|----------------|----------------|----------------|
D|-14-14----14----|-15-15----15----|-16-16----16----|-17-17----17----|
A|----------------|----------------|----------------|----------------|
E|----------------|----------------|----------------|----------------|
E/G# Am BbMaj7 Am
E|-------16----16-|-------17----17-|-------18----18-|------17-----17-|
B|----------------|----------------|----------------|----------------|
G|----------------|----------------|----------------|----------------|
D|-18-18----18----|-19-19----19----|-20-20----20----|-19-19----19----|
A|----------------|----------------|----------------|----------------|
E|----------------|----------------|----------------|----------------|
Ab C/G D/F# F
E|-------16----16-|-------15----15-|-------14----14-|------13-----13-|
B|----------------|----------------|----------------|----------------|
G|----------------|----------------|----------------|----------------|
D|-18-18----18----|-17-17----17----|-16-16----16----|-15-15----15----|
A|----------------|----------------|----------------|----------------|
E|----------------|----------------|----------------|----------------|
G
E|-15-|
B|----|
G|----|
D|-17-|
A|----|
E|----|
And of course, the outtro riff:
(8th notes throughout)
/S
E|12-------------------|-----------12--12-|-15-12-----12--17-15-|
B|-------12-15-12------|-13--13--13--15---|------13-15--13------|
G|--12-14--------12-14-|---14--14---------|---------------------|
D|---------------------|------------------|---------------------|
A|---------------------|------------------|---------------------|
E|---------------------|------------------|---------------------|
E|-13-12-------12--------|
B|-------13-15---13------|
G|-----------------14-12-|
D|-----------------------|
A|-----------------------|
E|-----------------------|
Then up two frets:
/S
E|14-------------------|-----------14--14-|-17-14-----14--19-17-|
B|-------14-17-14------|-15--15--15--17---|------15-17--15------|
G|--14-16--------14-16-|---16--16---------|---------------------|
D|---------------------|------------------|---------------------|
A|---------------------|------------------|---------------------|
E|---------------------|------------------|---------------------|
E|-15-14-------14--------|
B|-------15-17---15------|
G|-----------------16-14-|
D|-----------------------|
A|-----------------------|
E|-----------------------|
And up another two frets:
/S
E|16-------------------|-----------16--16-|-19-16-----16--21-19-|
B|-------16-19-16------|-17--17--17--19---|------17-19--17------|
G|--16-18--------16-18-|---18--18---------|---------------------|
D|---------------------|------------------|---------------------|
A|---------------------|------------------|---------------------|
E|---------------------|------------------|---------------------|
And the "Entertainer" theme...
E|-17-16-------|-16------16-16---------|-16------16-16---------|
B|-------17-19-|---17-19------17-19-17-|---17-19------17-19-17-|
G|-------------|-----------------------|-----------------------|
D|-------------|-----------------------|-----------------------|
A|-------------|-----------------------|-----------------------|
E|-------------|-----------------------|-----------------------|
---/ ---/
E|-16------16-16---------|-----12-|
B|---17-19------16-19-19-|-17-----|
G|-----------------------|--------|
D|-----------------------|--------|
A|-----------------------|--------|
E|-----------------------|--------|
---/ ---/
Golgi Apparatus
From: [email protected]
From: Eric Berman ( [email protected])
Hello everyone, I was bored yesterday afternoon, so I decided to
transcribe the music to Golgi.
I am pretty sure that this is correct, but if you find a
mistake or know a better way to play this, please let me know.
Also, I have given the chord formations for those of you how may not
know how to fret some of these notes.
Golgi Apparatus: music notation for guitar w/lyrics from the "lyrics file"
(chords are placed over lyrics for emphasis, but the rhythm is obviously much more complex)
F#+ G G G
I look into the finance box just to check my status
C/G
(status)
G G G G
I look into the microscope, See a Golgi Apparatus
Gm7(I) -> Am7 -> Fm7 -> Gm7(II) (SEE BELOW FOR CHORD FORMATIONS)
Eb F Bb
Golgi, oh, woe is me
Eb F Bb
You can't even see the sea
Eb F Bb
Golgi, olgi, ho ooo olgi
Golgi
C9 -> C#9 -> D9
G G G G G
They call him lysasome 'Cause he runs so fast
C
Runs like a junkyard dog with a brain of brass
Gm7(I) -> Am7 -> Fm7 -> Gm7(II) (SEE BELOW FOR CHORD FORMATIONS)
Eb F Bb
Golgi, oh, woe is me
Eb F Bb
You can't even see the sea
Eb F Bb
Golgi, olgi, ho ooo olgi
Golgi
C9 -> C#9 -> D9
CHORUS:*
G G7
I saw you...
(x3)
C C/F
With a ticket stub in your hand
G G
I saw you....
F--->----->---------->------------>------- (pedal on E string)
Under the light, middle of the night, couldn't get it wrong...
(REPEAT CHORUS)
So I had to..... (and into Trey's most excellent solo.... tablature follow)
Chord Forms:
(intro) (See a Golgi Appa...) (Golgi woe) (before chorus)
F#+ Gm7(I) Gm7(II) Am7 Eb F Bb C9 C#9 D9
E--x-------10-----3-------5-----x------6---3----4----5
B--7-------11-----3-------5-----8--10--6---3----4----5
G--7-------10-----3-------5-----8--10--7---3----4----5
D--8-------12-----3-------5-----8--10--8---2----3----4
A--9-------10-----x-------x-----6--8---8---3----4----5
E--x-------x------x-------x------------6--------------
Golgi Solo
From: [email protected]
From: [email protected] (Michael David Bruce)
---> A few things for those who are not totally familiar with guitar tablature notation:
Tablature cannot convey precise information about timing and the duration of notes.
Nor does it help you to understand harmonic structure.
BUT, it is very helpful for those like me who are not totally comfortable reading and writing in music notation.
I hope that you can at least get the drift of Trey's brilliant piece of guitar playing from the notation below.
I suggest you listen to the song while reading/playing this for the first time. Pretty soon you'll get it
The first thing that you *should* know about the golgi solo part is that it is *not* in
a straight (i.e multiple of 4) time signature--count it out!!
There are 15 beats per phrase (where you would expect 16). It doesn't matter how you do it,
but I find three 4/4 measures and one 3/4 measure convienient.
For the 1st part of the solo (starting @ 1:25), play:
Beats:(* = downbeat)
* ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^
E|------------------------------------|
B|--3--3-4-6-66-4-3---1->>6-4-3-4-6-4-|
G|--3--3-3-3-33-3-3---1---------------|
D|--3--3-5-3-33-5-3---1----------3--5-|
A|------------------------------------|
E|------------------------------------|
^^^^
This little thingy is *very* important, IMHO. Trey does it quite a bit in his playing. i.e.
rather than just playing two notes consecutively, he sticks another note in there
(cf. The divided sky slow part).
They're not always that easy to hear, but without them, the music loses its feel, it's color--everything.
This is what makes it interesting.
The second half of the solo is the same thing with everything jacked up
2 frets (i.e. now in the key of C rather than Bb).
Above is for 4 repetitions, then go up two frets:
* ^ ^ ^ * ^ ^ ^ * ^ ^ ^ * ^ ^
E|------------------------------------|
B|--5--5-6-8-88-6-5---3->>8-6-5-6-8-6-|
G|--5--5-5-5-55-5-5---3---------------|
D|--5--5-7-5-55-7-5---3----------5--7-|
A|------------------------------------|
E|------------------------------------|
Above repeats 3 times, and the fourth is played differently:
E|------------------------------------------|
B|--5--5-6-8-88-6-5--->>8-6-4-6-8-9-11>>>13-|
G|--5--5-5-5-55-5-5---3---------------------|
D|--5--5-7-5-55-7-5---3----------------5--7-|
A|------------------------------------------|
E|------------------------------------------|
NOTE: numbers directly above one another (like 5/5/5 above) are played at the SAME TIME;
numbers that are not directly above one another (like B/5...G/7 above) are played in succession.
AND THIS LEADS INTO THE SOLO....
E|------------------------------------------------------------------
B|-13-11->>9-9--11>>13-11-9-8-8-8^^9-11-9---------------------------|
G|-------------8------------------------------11-8--11-10-9-8---10-13
D|-------------------------------------------------9---------9-11----|
A|-------------------------------------------------------------------|
E|-------------------------------------------------------------------|
E|---------------------------------------------------------------|
B|-11-9>>7-7--9>>11-9-7-6-6-6^^7-9-7-----------------------------|
G|-----------6-------------------------9-6--9-8-7-6---8---11>>>--|
D|-----------------------------------------7-------7-9-----------|
A|---------------------------------------------------------------|
E|---------------------------------------------------------------|
E|----------------------------------------
|
