Someone Still Loves You Boris Yeltsin Pershing (album) guitar tab

Pershing (album) by Someone Still Loves You Boris Yeltsin

               Someone Still Loves You, Boris Yeltsin
                           Pershing [2008]

             Tabbed by Brian Coney ([email protected])
                     [corrections, comments, etc.]

Listen for rhythm.
'Unusual' chord-shapes are at the bottom.

1. Glue Girls
2. Boring Fountain
3. Dead Right
4. The Beach Song
5. Modern Mystery
6. Some Constellation
7. Think I Wanna Die
8. You Could Write A Book
9. Oceanographer
10. Heers
11. Doris Tailspin (Boring Mountain)


1. Glue Girls

Intro:

 [Fig. 1 - Listen for rhythm]
e|--4-4---4-4-4-4--|
B|--2-2---2-2-2-2--|
G|--1-1-3-1-1-1-1--|
D|----------3-3-3--|
A|-----[x-12]------|
E|-----------------|

With:

C# [Barre chord position
  at e: 9-11-11-10-9-9]

 [Fig. 2]
e|--11--|
B|---9--|
G|--10--| [C#6 is quickly
D|-[11]-|     played each time C# reaches
A|------|                   the end of bar]
E|------|

Verse 1:

Bbm, C#, F#, C# x 4

With:
  
 [Fig. 3]
e|---6---------9---------11---9~--|
B|-----6---------9-------11---9~--|
G|-------6---------10--11----10~--|
D|--8-------s11--------------11~--|
A|--------------------------------|
E|--------------------------------|

 [Fig. 4]
e|-------------------------|
B|--11-11-11-11-11----14~--|
G|------------------11-----|
D|----------------13-------|
A|-------------------------|
E|-------------------------|

With: 

    [Fig. 5]
   e|---6-----6~--|
   B|-----7-------|
   G|-------8-----| 
   D|--8----------|
   A|-------------|
   E|----[D#m]----|

Chorus:

C#, F#6, D#m x 2
G#, C#, F#
G#6, G#aug, G#


With:

 [Fig. 6 - Guitar 1]
e|---------------------------------------------------------|
B|----9--9--9--9-----7------7---[11-11-11-11-11------14~]--|
G|---10-10-10-10---6---6-6----6-[-----------------11----]--|
D|--s11-------11s8---------8----[--------------13-------]--|
A|---------------------------------------------------------|
E|-------------[x-2]---------------------------------------|  

Plays notes in [ ] once.              
                                                 
 [Fig. 7 - Guitar 2]                                                  
e|--------9------------11-----[----6-----6~--]--|
B|----------9--------11--11---[------7-------]--|
G|------10----10--s11------11-[--------8-----]--|
D|--s11-----------------------[--8-----------]--|
A|----------------------------[--------------]--|
E|----------[x-2]-------------------------------|

 [Fig. 8 - Guitar 1 cont.]
e|------------------------------------------------------------------|
B|--s11-11-11-11-11------14--------------------------7-------7------|
G|-----------------10--11--11---10-10-10-10-10-----6-----6-----6----|
D|-------------------13------13s--------------11s8-----8---8--------|
A|------------------------------------------------------------------|
E|------------------------------------------------------------------|

Bridge:

C#

Verse 2:

As Verse 1 only [Fig. 4]
and [Fig. 5] now:

Guitar 1: D#m, B x 2
Guitar 2:

    [Fig. 9]
   e|---6-----6~-----|
   B|-----7------7~--|
   G|-------8----8~--|
   D|--8---------9~--|
   A|----------------|
   E|-----[x-2]------|

Bridge 2:

C#, F# x 2

Chorus 2:

D#m, G#, C#, F# x 2

With:

 [Fig. 10]
e|--------------------------------------------------------------------|
B|--s11-11-11-11-11------14--------------------------7-[-------7---]--|
G|-----------------10--11--11---10-10-10-10-10-----6---[---6-----6-]--|
D|-------------------13------13s--------------11s8-----[-8---8-----]--|
A|--------------------------------------------------------------------|
E|------------------------------[x-2]---------------------------------|

Only play the notes
in [ ] the first time.

Bridge 3:

C#, F# x 2
G#

Interlude:

[If I could tab cowbells I would]

 [Fig. 11]
e|----------------2-------|
B|------------------2-----|
G|--s8----6----2h3----3~--|
D|-----9----7-------------|
A|------------------------|
E|---------[x-5]----------|

A second guitar plays
C#9, B9, F# x 4 after [Fig. 11]
is played 2 times.

This section ends with
the first guitar ending on:

 [Fig. 12]
e|--------------------------2----2~--|
B|-----------------------------2-2~--|
G|--x-x-8--x-6s--x-x-x--2h3--3-------|
D|----------------------4------------|
A|----------------------4------------|
E|----------------------2------------|

Bridge 4:

Although it appears no chords are being
played at this part, C# works well 
underneath the two guitars...

 [Fig. 13 - Guitar 1]
e|----9-----|
B|----------|
G|--6---6---|
D|----------|
A|----------|
E|--[x-39]--|

After [Fig. 13] is played
8 times, a second guitar plays:

 [Fig. 14 - Guitar 2]
e|--------4------4-----4-----9-6~-------4------4-----4-----9-8~--|
B|-----6------6-----6----7p6---------6------6-----6----7p6-------|
G|--6------6-----6----------------6------6-----6-----------------|
D|---------------------------------------------------------------|
A|---------------------------------------------------------------|
E|---------------------------------------------------------------|

 [Fig. 14 - Guitar 2 cont.]
e|--------4------4------4-----6------4---6---8-8-8-8-6-4-6--|
B|-----6------6------6----7p6---6~~--6---6---6-6-6-6-6-6-6--|
G|--6------6------6------------------6---6---6-6-6-6-6-6-6--|
D|----------------------------------------------------------|
A|----------------------------------------------------------|
E|----------------------------------------------------------|

[Fig. 14 - Guitar 2 cont.]
e|--11-11-11-11--9---13-13-13-13-11---14-14-14-14-13--[16]--|
B|---9--9--9--9--9---14-14-14-14-14---14-14-14-14-14--[21]--| 
G|--10-10-10-10-10---13-13-13-13-13---13-13-13-13-13--[18]--|   
D|----------------------------------------------------------|          
A|----------------------------------------------------------|
E|----------------------------------------------------------|

Tremolo [ ] according to rhythm

Outro:

C# [Listen for when it changes
    to C#6: 9-11-11-10-11-9]

Bbm, C#, F#, C# x 4


2. Boring Fountain

Intro:

A, D, G x 4
A

With:

 [Fig. 1]         [Only the 1st time]
e|-------------------[------2--]--|
B|-------------------[----3----]--|
G|----2~--4-2~----2~-[--4------]--|   [The horns play a 
D|--2-----------4-----------------|      slightly altered version
A|--------------------------------|                    of [Fig. 1]]
E|-------------[x-2]--------------|

After [Fig. 1] is played
2 times, a second guitar plays:

 [Fig. 2]        [Fig. 2a]
e|--[------5-------5-------5-------5---]--------10-9-------------10-9------|
B|--[----8---8---8---8---8---8---8---8-]--7-8-10----10-7---7-8-10----10-7~-|
G|--[-s6-------6-------6-------6-------]-----------------------------------|
D|-------------------------------------------------------------------------|
A|-------------------------------------------------------------------------|
E|----------------------------------[x-2]----------------------------------|

 [Fig. 2 cont.]
e|-----------------------|
B|-[7s]5~--5*-5*-5*-5*~--| [The [7s] is continued from 
G|-----------------------|  the guitar line in [Fig. 2]; the
D|-----------------------|   asterisks represent very minor bends]
A|-----------------------|
E|-----------------------|

Verse 1:

D, G,
A, D, G.

With:

 [Fig. 3]
e|--[-------5-------]--------5---------------5--------------5--------|
B|--[---7-----7---7-]----8-----8---8-----8-----8---8----8-----8---8--| 
G|--[-7---7-----7---]-s7---7-----7----s9---9-----9----9---9-----9----|   
D|-------------------------------------------------------------------|   
A|-------------------------------[x-2]-------------------------------|
E|-------------------------------------------------------------------|

The notes outside of the [  ] should
not be played the 2nd time.


 [Fig. 3 cont.]
e|----5-----5-----5s--|
B|------8-----8-------| [The guitar line of [Fig. 3]
G|--7-----7-----7-----|  ends on this arpeggiated triad]
D|--------------------|
A|--------------------|
E|--------------------|

Interlude 1:

 [Fig. 4]           [D]  [G]
e|-------------------2~--12~--|
B|--------[x-3]------3~--10~--|
G|-------------------2~--12~--|
D|--7s--11s--7s--11--0~--12~--|
A|--7s--12s--7s--12-----------|
E|--5s---9s--5s---9-----------|

A second guitar plays the above
and arpeggiates both the D and G chords
when they are played by the first guitar.

 [Fig. 4 cont.]
e|--------------|
B|--------------|
G|--------------|
D|--7s--11s--7--|
A|--7s--12s--7--|
E|--5s---9s--5--|

Another guitar plays this simple
octave-slide 3 3/4 times in accordance
with [Fig. 4] and [Fig. 4 cont.]:

 [Fig. 5]
e|-----[x-3]----|
B|--------------| [Although you play [Fig. 5] twice,
G|--9s14--9s14--|   you essentially play it four times
D|--------------|    yet leave the A octave dyad out the
A|--7s12--7s12--|                        last time around]
E|--------------|

There is a barely decipherable lick in A major
just before it ends; it's hard to make out:

 [Fig. 6] 
e|----------------------------------|
B|----------------------------------|
G|----------------6s7-7-9p7-11-9-9--|
D|--7-7-9-7-11-7-7------------------|
A|----------------------------------|
E|----------------------------------|

Chorus:

D, G, Bm, A, G x 2

With:

 [Fig. 7]
e|-------7-----7------3------7--------------------------------|
B|-----7---7--------3------7-----5---5------------------------|
G|--s7-------7----4-----s7---------6---6-----[-7-7-7-6-4~-]---|  
D|-----------------------------7---------5--------------------|
A|------------------------------------------------------------|
E|---------------------------[x-2]----------------------------|

Only play notes in [ ] the first time


Bridge:

A, D, G x 2
A

With:

 [Fig. 8]
e|--------------------------------|
B|--------------------------------|
G|--------------------------------|
D|-----7~--9-7~--s4-7~--9-9-9-----|
A|--s7------------------------9s--|
E|--------------------------------|

[Fig. 2] x 1 

Verse 2:

D, G, A,
D, G

With: [Fig. 3] and [Fig. 3 cont.]

Interlude 2:

As Interlude 1

Chorus 2:

D, G, Bm, A, G x 2

With: [Fig. 7] x 2

Bridge:

D, G, Bm, A, G,
D-C#-B,
D, G, Bm, A, G

With [Fig. 7] x 2; a second
guitar arpeggiates the chords.

A

With: [Fig. 2a] x 2

Ending on:

 [Fig. 9]
e|--5-x-5-5--5s--|
B|--5-x-5-5--5s--|
G|--6---6-6------|
D|---------------|
A|---------------|
E|---------------|

Interlude 3:

An A chord is played quietly as a triad
on the e, B and G strings: [xxx650]

With:

 [Fig. 10 - Guitar 1]
e|-----------------------------------|
B|--------------[x-16]---------------|
G|-----------------------------------|
D|--------7-------7-----0--------0---|
A|------7-------7-----7---7----7--7--|
E|--5-5-----5-5-----5--------5-------|

 [Fig. 11 - Guitar 2]
e|-------------------------------------|
B|---------------[x-2]-----------------|  [This guitar line is played
G|--9----------------------------------|      very quietly to accompany
D|----11~-12-11-9----12-11-12-11-9s-7--|                the vocal melody]
A|----------------12-------------------|
E|-------------------------------------|

 [Fig. 12 - Guitar 3]
e|-------------------|
B|-------[x-2]-------|
G|-------------------|
D|----------6-6-7-7--|
A|--7-7-9-9----------|
E|-------------------|

After [Fig. 10] is played 12 times
and the e-major scale is played
above guitar 3 plays:

 [Fig. 12 cont. - Guitar 3]
e|--s9-9---------------s9-9----------------------|
B|-------10-----------------10----------------x--|  
G|----------7--6-6-7-9---------7-7-7-6-6-7-9-----|     
D|-----------------------------------------------|              
A|-----------------------------------------------|
E|-----------------------------------------------|

The x represents an accidental sort of 
bendy/slide thing on the tenth fret of the b string.


 [Fig. 12 cont. - Guitar 3]
e|--s9-9---------------s9-9-----------------5-----5---5-5-5-5~~s--|
B|-------10-----------------10----------5-7---5-7---7-------------|
G|----------7--6-6-7-9---------7-7-7--6---------------------------|   
D|----------------------------------------------------------------|
A|----------------------------------------------------------------|
E|----------------------------------------------------------------|

Ends on A [listen for rhythm]


3. Dead Right

Intro:
    
 [Fig. 1 - Listen for rhythm]
e|--2-2-2-2-2-2-2-2--2-2-2---|
B|--3-3-3-3-3-3-3-3--3-3-3---|
G|--2-2-2-4-2-2-2-2--x-x-2---| [Play x 2]
D|--0-0-0-0-0-0-0-0--4-2-0---|
A|---------------------------|
E|---------------------------|

With:

 [Fig. 2]
e|--0h2h5--|
B|---------|
G|---------| [Play x 16]
D|---------|
A|---------|
E|---------|

Verse 1:

D, G, A, D x 3
D, G, F#, Bm

With:

 [Fig. 3]
e|--2-3-------2-3------------|
B|------5-7~------5-7--5-7~--|
G|---------------------------|
D|---------------------------|
A|---------------------------|
E|---------------------------|

Chorus:

D, G, F#m, Bm x 4

With:
 
 [Fig. 4]
e|---------------------------------|
B|-6-7-6-7-6-7-6-7-6-7-6-7-6-7-----|
G|-----------------------------7~--|
D|---------------------------------|
A|---------------------------------|
E|---------------------------------|

 [Fig. 4 cont.]
e|---------------7---------|
B|-7-6-7-6-7-6-7---7-6-----|
G|---------------------7~--|
D|-------------------------|
A|-------------------------|
E|-------------------------|

 [Fig. 4 cont.]
e|-------------------------|
B|-7-6-7-6-7-6-7-6-7-6-----|
G|---------------------7~--|
D|-------------------------|
A|-------------------------|
E|-------------------------|

The Chorus ends with this
guitar line:

 [Fig. 4d]
e|----------------------------|
B|----------------s10-7-6-7~--|
G|------7-9-7-10-7------------|
D|--7-9-----------------------|
A|----------------------------|
E|----------------------------|

Bridge:

[Fig. 1] x 2 with [Fig.2] x 16

[Third guitar alternating between D and D/A]

Verse 2:

D, G, A, D x 6
D, G, F#, Bm

With:

 [Fig. 5]
e|---------------------10-------|
B|-----10---10-12-10-----10-12--|
G|--s11--11----------11---------|
D|------------------------------|
A|------------------------------|
E|------------------------------|

e|------------s10-9-10----14----|
B|------10-12----------s15--15--|
G|--9h11------------------------|
D|------------------------------|
A|------------------------------|
E|------------------------------|

Chorus 2:

D, G, F#m, Bm x 4

With:

 [Fig. 6]
e|------------------|
B|------------------|
G|------------------|
D|--7h9h7----[x-3]--|
A|--------9~--------|
E|------------------|

[Fig. 4d x 1]

Interlude:

D

With:

 [Fig. 7]
e|--9--10--|
B|--7---7--| [A second ukelele-sounding guitar 
G|--7---7--|      alternates between these two 
D|--7---7--|  chords under the D; I don't play
A|---------|              violin/viola, so...]
E|---------|

F#, Bm

Outro:

D, G, F#m, Bm x 4

With:

 [Fig. 8]
e|-------------------------|
B|--7-6-7-6-7-6-7----------|
G|-------------------------|
D|----------------7h9p7----|
A|----------------------9--|
E|-------------------------|

 [Fig. 8 cont.]
e|-------------------------|
B|--6-7-6-7-6-7------------|
G|-------------------------|
D|--------------7h9p7------|
A|----------------------9--|
E|-------------------------|

 [Fig. 8 cont.]
e|-------------------------|
B|--7-6-7-6-7-6-7----------|
G|-------------------------|
D|----------------7h9p7----|
A|----------------------9--|
E|-------------------------|

[Fig. 4d]

[Fig. 1] x 2 with [Fig. 2] x 16

[Third guitar alternating between D and D/A]

D, G, A, D


4. The Beach Song

Intro:

 [Fig. 1]
e|--4-4-4-4-4--2-2--1-1-1-1-1-1--2-2s--|
B|--4-4-4-4-4--2-2--2-2-2-2-2-2--2-2s--|
G|-------------------------------------|
D|-------------------------------------|
A|----------------[x-5]----------------|
E|-------------------------------------|

 [Fig. 1. cont.]
e|--4-4-4-4-4-4-4-4-4--| 
B|--4-4-4-4-4-4-4-4-4--|
G|---------------------|
D|---------------------|
A|---------------------|
E|---------------------|

After [Fig. 1] is played 2
times, a second guitar plays:

 [Fig. 2]
e|-------------------|
B|--2s4-4~-2-2-2-2~--|
G|-------------------|
D|-------------------|
A|-------------------|
E|-------------------|

Verse 1:

C#6, F#, G#, F# x 4
Leave out the F# the fourth
time around; you can alter the 
bass notes of each chord from root
to fifth if playing unaccompanied.

Chorus:

B, F# x 3
B, Bbm

Verse 2:

C#6, F#, G#, F# x 4
Leave out the F# the
fourth time around.

With:

 [Fig. 3 - Guitar 1]
e|----------------------------------------------|
B|-------------------[x-4]----------------------|  
G|----------------------------------------------|       
D|--3-3-3-3-3-3-3s-6-6-----6-6------6---6---6~--|         
A|---------------------4-4-----4s-6---6---6~----|
E|----------------------------------------------|

Although Fig. 3 is played four times,
the third and last time is barely audible.

 [Fig. 4 - Guitar 2 - Palm-muted]
e|-------------------------------------|  
B|----------------[x-4]----------------|    
G|-------------------------------------|   
D|--3-3-3-3-3-3-3s-6-6-----6-6---------|            
A|---------------------4-4-----4s-[6]--|
E|-------------------------------------|

Fig. 4 is more or less the same as Fig. 3 with 
exception to effects and the end the [6] should
be played 16 times.

Chorus:

F#, C#, G#, C#
F#, C#, G# x 2

With:

 [Fig. 5]
e|-------------------------------------------------------------|
B|-------6h7p6--------6h7p6--------6h7p6---s9-------11---------|
G|-----6-------6----6-------6----6-------6----10-------10------|
D|--s8------------8------------8-----------------11-------11~--|
A|-------------------------------------------------------------|
E|-------------------------------------------------------------|

[Fig. 5. cont.]
e|-------------------------------------------|
B|-------6h7--------6h7p6--------6h7p6-------|
G|-----6-----6----6-------6----6-------6-----|
D|--s8----------6------------6-----------8~--|
A|-------------------------------------------|
E|-------------------------------------------|

When the Chorus plays the second time,
the guitar line continues as:

 [Fig. 6]
e|------------------[x-2]-----------------|
B|---------------------------*------------|  [The second time [Fig. 6] is
G|--------------------------8-------------|    played, stop at the asterisks
D|----6s-8-6-8------------6---6---6-------|          and end with [Fig. 6b]]
A|--------------8~------------------8-----|
E|--9~-------------9~--s4---*---4----s9~--|

 [Fig. 6b]
e|--------------|
B|--------------|
G|--6-5---5~~~--|
D|------6-------|
A|--------------|
E|--------------|

Outro:

C#6, F#, G#, F# x 4
Leave out the F# the 
third and fourth time around.


5. Modern Mystery

Intro:

 [Fig. 1]
e|-------------------------------|
B|-----12-12-12-12s-10---10------|  [The open D note in
G|---------------------9----11~--|    the [ ] is not played again
D|--[0~]-------------------------|       apart from the first time]
A|-------------------------------|
E|-------------------------------|

D, Bm x 2

With:

 [Fig. 2]
e|-------------------------------------|
B|----12-12-12-12s-10---10----10--10~--|
G|--------------------9----11---11-----|
D|-------------------------------------|
A|-------------------------------------|
E|-------------------------------------|

[Fig. 1] [Fig. 2]
and [Fig. 1] again.

Verse 1:

D, A, D, C#m,
Bm, F#m, Bm* x 2  [Palm-muted; listen how the Bm quickly 
                     becomes Bm/A and back again; change F#m to
                                        F# the second time played]

Bridge:

D, A, D, C#m,
Bm, F#m, Bm*

With:

 [Fig. 3]                       [Fig. 3b]
e|------------------------------[-------------0---0--2s-5~-]--|
B|---12-12s-10-10----10---------[---0---0---3---3-------3~-]--|
G|----------------9-----11-11~s-[-4---4---2----------------]--|
D|--0--0---0--0-----0-----------------------------------------|
A|------------------------------------------------------------|
E|------------------------------------------------------------|

Verse 2.

D, Bm,
D, A, D, C#m,
Bm, F#m, Bm

Chorus:

G, D, A, D* x 6
*On the sixth time around do not
 play the last two chords (A and D).

With:

 [Fig. 4] 
e|---------------------------[x-3]---------********---------| 
B|------7s-----------------*---------------|------|------#--| 
G|--0-0-------6-----6------7s--------------7------6------7--|
D|--------0-0----------0-0--------4--------0------0------0--|
A|--------------0-0-------------------5-5--5--0-0---5-5--5--|
E|----------------------------3-3---------------------------|

* = The second time [third in Chorus 2] played this D [-7-] becomes C# [-6-]
# = The third time played this D [-7-] becomes C# [-6-]

The 2 notes shown by the asterisks interchange
when played the first time in Chorus 2.

Bridge:

Bm, F#m, Bm, F#.
D, Bm, D, Bm

With:

 [Fig. 5]
e|----7--7---10--10---7----5--5---5~---2--2--0--0-------^---|
B|--------------------------------------------------3---2~--| 
G|--s7--7--s11--11--s7--7--7--7--7---s2--2--2--2--2---2-----|   
D|----------------------------------------------------------|
A|----------------------------------------------------------|
E|--------------------------[x-2]---------------------------|

The ^ note is a D [-3-] instead of 
a C# the second time played.

G, A, G, A

With:

 [Fig. 6]
e|-------------------------|
B|--------5----------5-3~--|
G|-------4-4--------4------|
D|------5---5~-----5-------|
A|-----5--------0~---------|
E|--3~------[x-2]----------|

Verse 3:

D, A, D, C#m,
Bm, F#m, Bm x 2

A second guitar also plays the first D
the second time the progression is played.

Interlude/Solo:

D, A, D, C#m,
Bm, F#m, Bm x 2

With:

 [Fig. 7]
e|--s17-17s---------------------------------|
B|----------12-12-12-10-10-10---10----------|
G|----------------------------9----11~-11s--|
D|------------------------------------------|
A|------------------------------------------|
E|------------------------------------------|

[Fig. 3b]*

* Only ending on -2-           -5-
                 -3- after the -3-

 [Fig. 8]
e|----------------------------------------|
B|--12-12-12-12-10-10-10-10-12-10---------|
G|--------------------------------11-11s--|
D|----------------------------------------|
A|----------------------------------------|
E|----------------------------------------|

[Fig. 3b]*

Chorus 2:

As Chorus 1 [See minor alternations;
do not play Chords until stated below]

With:

 [Fig. 9 - Guitar 2]
e|--------------------------------------------------------------------|
B|--12s7~~-5s7~-12s7--14s10~--10-12~-------7~--12s10~-10s7~-----------|
G|--------------------------11-----------9------------------6---6-----| 
D|-----------------------------------9-9----------------------7---7~--|  
A|--------------------------------------------------------------------|
E|--------------------------------------------------------------------|

This figure sounds much better
when the correct effects are used.

After [Fig. 4] is played twice:

 [Fig. 10 - Guitar 3]
e|--------------------------------------------------------|
B|--------------------------------------------------------|
G|------7-----6-----6-----6--------------6-----6----------|
D|--5-5-------------------------5-------------------------|
A|--------5-5---------5-5---------5--5-5------------------|
E|--------------5-5---------3-3------------5-5---7-5-5-5--|

G5, D5, A5, D5 x 4

With:

 [Fig. 11 - palm-muted; essentially the bass-line]
e|----------------------------------|
B|------------[x-4]-----------------|
G|----------------------------------|
D|--5-5-4-----------------[-----4]--| [Do not play notes inside
A|--------5-5-4-5-----4-5-[5-7---]--|    the [ ] the fourth time]
E|----------------5-5---------------|

Interlude:

 [Fig. 12]
e|----5-2---2----|----5---7~--|
B|--3~----3---3--|--3---3-----|
G|---------------|------------|
D|-----[x-3]-----|------------|
A|---------------|------------|
E|---------------|------------|

 [Fig. 12 cont.]
e|------5---7----|------5---2----|----5-2---|
B|--3-3---3---7--|--3-3---3---3--|--3-------|
G|-----[x-4]-----|-----[x-4]-----|---[x-8]--|
D|---------------|---------------|----------|
A|---------------|---------------|----------|
E|---------------|---------------|----------|

With:

 [Fig. 13 - Second Guitar]
e|------------------------------|
B|--12--10-------12--10-----10--|
G|---x---x--11----x---x--11--x--|
D|---9---7---x----9---7---x--9--|
A|-----------9------------9-----|
E|-------------[x-2]------------|

 [Fig. 13 cont.]
e|--------------|-----------|--------------|
B|--12--15------|-10--8--7--|--------------|
G|---x--xx--14--|--x--x--x--|--4s--7s--11--|
D|---9--13--xx--|--7--5--4--|--x---x----x--|
A|----------12--|-----------|--2s--5s---9--|
E|-----[x-3]----|-----------|-----[x-4]----|

[Fig. 13 cont.]
e|----------------------------------------------------|
B|--12--10--------------------------------------------|
G|---x---x--11~---4s--7------4s--7s--11---4--14--11~~-|
D|---9---7---x----x---x--7---x----x---x---x--xx--xx---|
A|-----------9~---2s--5--x---2s---5s--9---2--12---9~~-|
E|-----------------------5----------------------------|

Chorus 3:

G, D, A, D x 8

With:

 [Fig. 14; Fig 14b] 
e|----------17-----|--14-----14-----14------|
B|-----------------|-----15-----17-----17~--|  
G|-----19------19--|--------14-----14-------|   
D|--19----19-------|------------------------|        
A|-----------------|------------------------|                               
E|-------[x-3]-----|------------------------|

Fig. 14 is played 3 times; the third time 
played Fig. 14b ends on:

-14-
-15-  
-14-

Fig. 11 x 4 after Fig. 14; Fig 14b is played x 1.

Outro:

As Bridge only play end part (G, A, G, A
with Fig. 6) x 4 instead of x 2

End on G.


6. Some Constellation

Intro/Verse:

In order to play this song from the TAB displayed
you must listen to the rhythm. I'll outline the basic
chords and you can listen for how to play it correctly.

 [Fig. 1]           *
e|--9-----------7---6--|
B|--11-----7----4---7--| [Bmaj7 (*) is played by putting
G|--11----------4---8--|   your thumb on the B (7th) fret 
D|--11--s8---8--6---9--|                   on the E string]
A|--9-----------6---x--|
E|--------------4---7--|

Play Fig. 1 x 20.

Listen how the Bmaj7 often quickly
shifts to B6:

[Fig. 2]     [Fig. 3]
e|-----|     e|--4--|
B|--9--|     B|--4--|
G|--8--| or  G|--4--|
D|--9--|     D|--x--|
A|--x--|     A|--2--|
E|--7--|     E|-----|

With:

 [Fig. 4 - Second guitar]                                    *
e|--[-7-----6-----4~-]------6------6~------------6-----7~----4~--|
b|--[----------------]-------------------9~~---------------------| 
g|--[---8s6---6s4----]--3s6----3s6~~-6s8-----6s8---6s8---8s6-----|    
d|---------------------------------------------------------------|     
a|---------------------------------------------------------------|       
e|---------------------------------------------------------------|

Play notes in [ ] the first time played only;
the * note  is an A# (-6~) the second time
[Fig. 4] is played.

 [Fig. 4 cont.]
e|------6-----6~------------6-----7----6----4~~--|
B|------------------9~~--------------------------|
G|--3s6---3s6~~-6s8-----6s8---6s8~--s6---s4------|
D|-----------------------------------------------|
A|-----------------------------------------------|
E|-----------------------------------------------|

Play [Fig. 4] x 6; the notes
are barely audible and fade
out on the sixth time played.

After Fig. 1 is played 12 times
a third guitar plays:

 [Fig. 5]
e|--4--|
B|--7--| [This triad is played over
G|--6--|  the [Fig. 1] and [Fig. 4];
D|-----|             listen for rhythm]
A|-----|
E|-----|

Outro:

There is a bit of improvised arpeggiation of 
[Fig. 5] using the thumb and index finger
followed by this nice little ... thing:

 [Fig. 5 cont.]
e|----------------------------------------------------------|
B|------6-7-6----------------------7-9-7------------6-------|
G|----8-------8-6-----8-6---6-8-10-------10-8-6---6-----6~--|
D|--8-----8-------6-8-----8--------9~-----------8-----8-----|
A|----------------------------------------------------------|
E|----------------------------------------------------------|

A second guitar alternates between the 
following two triads under [Fig. 5 cont.]:

 [Fig. 6]             [Fig. 7]
e|-----------|       e|-----------|
B|--------7--|       B|--------7--|
G|-----6--6--|  and  G|-----8--8--|
D|--8--------|       D|--9--------|
A|-----------|       A|-----------|
E|-----------|       E|-----------|


7. Think I Wanna Die

Intro/Chorus:

C, G, Am, Em,
Dm, G

Verse:

C, G, Am, Em,
Dm, G

With:

 [Fig. 1]                                            [barely audible]
e|-----------------------------------------5--------------------------|
B|--5-5-8-5~-6-------5-5--------8---8--------6-------12-12-13-12-12~--|
G|-------------7-7-------5------9---9----7-----7-----12-12-12-12-12~--|
D|-----------------9-------7--9---9----7---7--------------------------|
A|-----------------------------------------------10~~~----------------|
E|--------------------------------------------------------------------|

Bridge:
Am, C, Am, C,
F, C, G x 2

The following lick is played in between
each time the Bridge chords are played.

 [Fig. 2]
e|------------|
B|----8-6~----|
G|------------|
D|--9~----9~--|
A|------------|
E|------------|

Verse 1:
C, G, Am, Em,
Dm, G x 3

The second time the verse chords are played
a second guitar plays the following solo:

 [Fig. 3]
e|------8------8--8-------8-------------------------------|
B|---------8--------8------------12-------13p12-----------|
G|--s9~-----------------------------12----------14-12-----|
D|-s10-10-----10-10---10-10--s12-12----12-12----------12--|
A|--------------------------------------------------------|
E|--------------------------------------------------------|

 [Fig. 3 cont.]
e|-----------------------------------------------------------|
B|-----------13------15p13-------13--------------------------|
G|--------------12---------12-----------12-------12------11--|
D|--12-12h14-14----14---------14-14--------14-------14-------|
A|-----------------------------------14-14----14-14----14----|
E|-----------------------------------------------------------|

 [Fig. 3 cont]
e|----------------------------------------------|
B|----6-----6-----6-----12-12--13-13-12-10------|
G|------7-----7---------12-12--12-12-12-12-12~--|
D|--7-7---7-----7-------------------------------|
A|-------------------s10------------------------|
E|----------------------------------------------|

Then play [Fig. 1] at the third 
time Verse 1 is played.

Bridge:

C5, G5, F5, 
E5, F5, E5, A5 x 2 

The second time played
add a G5 and G7 to the end.

Interlude:

Am, G, C, F x 2

A second guitar arpeggiates the chords 
above, a third guitar plays:

 [Fig. 4]
e|-----------------------------------------------------------------|
B|---------6-6-3---------5~---------------8-8-10-----8-8-10~-------| 
G|--s5~~-4~~~----4~--5-5---5s2~--s5~~-4s7~~-------[9]--------------|   
D|----------------------------------------------10~~-------10s7~~--|   
A|-----------------------------------------------------------------|    
E|-----------------------------------------------------------------|

Despite the fact it appears two guitars are playing this
guitar line, you can play it with one.     

Am, G, C, F,
C, F, G,
C, Am, G, C, F
C, F, G

C, Am, C, F
C, Am, C, Am

Chorus 2/Outro:

C, G, Am, Em,
Dm, G x 3

With: 

 [Fig. 5]
e|------------7-------5-----5--------------------------|
B|----8-----8---8~------6-----6~----12-12-12-12-12-12--|
G|------9-----------------7---------12-12-12-12-12-12--|
D|--9-----9---------7----------------------------------|
A|------------------------------s10--------------------|
E|-----------------------------------------------------|

Also with [Fig. 1] the second and third 
time played and [Fig. 3] third time the 
progression is played.

End on C, G, C


8. You Could Write A Book

Intro:
 
 [Fig. 1]
e|------[x-8]------|
B|----5-------3----|
G|----6-------4----|  [Leave out the E bass-note
D|----7-------5----|          the 8th time around]
A|-----------------|
E|--5---0---3---0--|

Gsus2, D, A-Asus4-A x 4

With: 

 [Fig. 2]
e|--------------------------------|
B|------7-7-----7-7---------------|
G|--9-9-----9-9-----6-6-7-7-6-----|
D|----------------------------7~--|
A|--------------------------------|
E|-------------[x-2]--------------|

A third guitar plays:

 [Fig. 3]
e|------------[x-2]---------------|
B|--------------------------------|
G|------------------6-6-7-7-6-----|
D|----------------7-----------7~--|
A|--7-7-9-9-7-9-9-----------------|
E|--------------------------------|

Verse 1:

D, Bm, G, A x 2

With:

 [Fig. 4]
e|------------------------------------------------------|
B|------------------------------------------------------|
G|------7-7----------7-7----------7-7----------7-7------|
D|--7-7-----7-7--7-7-----7-7--7-7-----7-7--7-7-----7-7--|
A|------------------------------------------------------|
E|------------------------------------------------------|

 [Fig. 4 cont.]
e|-------------------------------|
B|---------7---------------10~~--|
G|-------7---7-----------9-------|
D|--7-7s9~----9~-9s11-11---------|
A|-------------------------------|
E|-------------------------------|

Bridge:

F#m, G5* x 4
G5~, G5^

See the chord-shapes at the bottom 
to distinguish the above chords.

Chorus 1:

G, A, D, Bm x 2
G, A

With:

 [Fig. 5]
e|-----------------------------------------------------|
B|-----------------------------------------------------|
G|----11---11-----14------14-----6-9---9---------------|
D|--9----9-----11----11-11-----7-----7------12----12~--|
A|---------------------------------------12----12------|
E|-----------------------------------------------------|

 [Fig. 5 cont.]
e|------------------------------------------------|
B|--------------------------------s15-x-7-14-x-8--|
G|------11---11-------14-------14-----------------|
D|--9-9----9---s11-11----11-11--------------------|
A|------------------------------------------------|
E|------------------------------------------------|

 [Fig. 5 cont.]
e|--------------------------------|
B|--12-12-12-12-12-12-12-12s14~~--|
G|--------------------------------|
D|--------------------------------|
A|--------------------------------|
E|--------------------------------|

Interlude:

Gsus2, D, A-Asus4-A x 4

With: 

 [Fig. 6]
e|-------------------------------|
B|-------7-7-----7-7-------------|
G|--s9-9-----9-9-----6-6-7-7-6~--|
D|-------------------------------|
A|-------------------------------|
E|--------------[x-4]------------|

Verse 2:

As Verse 1.

Bridge 2:

As Bridge 1.

Chorus 2:

As Chorus 1.

Breakdown:

Bm, C, G, A x 2

With: 

 [Fig. 7]
e|--7~--9*~~--7~--5~~--7~--9*~--7-7-7-7-7-7-7-7-9~--|
B|--7---------7---5----7--------7-7-7-7-7-7-7-7-7~--|
G|--7---------7---6----7--------7-7-7-7-7-7-7-7-7~--| [The asterisks signify
D|--------------------------------------------------|  slight bends]
A|--------------------------------------------------|
E|--------------------------------------------------|

Interlude:

Gsus2, D, A-Asus4-A x 4

With: 

 [Fig. 8]
e|-------------------------------|
B|-------7-7-----7-7-------------|
G|--s9-9-----9-9-----6-6-7-7-6~--|
D|-------------------------------|
A|-------------------------------|
E|--------------[x-4]------------|

G, G/F#-G/E, D

With:

 [Fig. 8 cont.]
e|----------------|
B|------7-7---7~--|
G|--9-9-----9-----|
D|----------------|
A|----------------|
E|----------------|

Outro:

D, G, D,
G, D, A x 2
G, G/F#-G/E, D

With:

[Fig. 2] and [Fig. 3] x 2

[Fig. 8 cont.]


9. Oceanographer

Intro:

 [Fig. 1]
e|----------|
B|----------|
G|----------|
D|----4-----|
A|--4---4~--|
E|----------|

[Bass]

 [Fig. 2]
e|--------------|
B|--------11~~--|  [Listen for when
G|-----11-------|  [Fig. 2] is played]
D|--14----------|
A|--------------|
E|-----[x-4]----|

 [Fig. 3 - Palm-muted]
e|-----------------[x-2]-----------------|
B|----------------------------------7*---|
G|---------------------------------------| [The -7*- note is slid down
D|--4-4---4-4---6-6---6h7p6-4---4-4------|    the fretboard the second
A|------4-----4-----4---------7----------|       time Fig. 3 is played]
E|---------------------------------------|

F#, E, B x 4

With:

 [Fig. 4]
e|------6-------6-------4---4-5-4-------2--|
B|----7---7---7---7---5---5-------5---4----|
G|--6-------6-------4---------------4------|
D|-----------------------------------------|
A|-----------------------------------------|
E|------------------[x-4]------------------|

Verse/Chorus 1:

F#, E, B x 4

After Verse/Chorus 1 is played twice
the bass plays alternate notes which 
can be replicated with a second guitar.

Bridge 1:

F#, E x 4

With: 

 [Fig. 5]
e|---------------------------------------------------------------2~~--|
B|--------------------------------2------------------------------2~~--|
G|----3-3-4-3--1-3-1---3-3-4-3--1---1---3-3-4-3--1-3-1---3-3-4-3------|
D|--4----------------4----------------4----------------4--------------|
A|--------------------------------------------------------------------|
E|--------------------------------------------------------------------|

Verse/Chorus 2:

F#, E, B x 4

Bridge 2:

 [Fig. 6]
e|----------------------------------------------------------------------|
B|----------------------------------------------------------------------|
G|----3-3-4-3-----------3-3-4-3-----------3-3-4-3-----------3-3-4-3-----|
D|--4---------2-1-1-2-4---------2-1-1---4---------2-1-1-2-4---------4~--|
A|------------------------------------4---------------------------------|
E|----------------------------------------------------------------------|

Interlude:

 [Fig. 6]
e|--------------|
B|----[x-4]-----|
G|--------------| [Leave out this F#5
D|----------*---| the fourth time around]
A|--2~--2~--4~--|
E|--5~--4~--2~--|_ _ 
                    |
                    [These two figures are played with two seperate
                     guitars; it's important to listen for how they
                     'go together' -- the rhythm is essential to it!]
With:                     |
                          | 
 [Fig. 7]                 |
e|---------[x-4]----------|
B|------------------------|
G|---4-4-4~--4-4-4--3-3~--|
D|---2-2-2~--2-2-2--2-2~--|
A|------------------------|
E|--5~------4~-----2~-----|

F#5, B5 x 3
F#5, E5, F#5 twice.

The second 
time played with:

 [Fig. 8]
e|------------------------------------------------------|
B|------------------------------------------------------|
G|------------------------------------------------------|
D|------------------------------------------------------|
A|------------------------------------------------------|
E|--2-2s7-7-7s2-2-2s7-7-7s2-2-2s7-7-7s2-2-2-2-0-2b3r2~--|

Chorus 3:

[Fig. 9a]                   [Fig. 9b]
e|--------------------------|----[x-3]-----|
B|----------12----------12--|----------12--| [Play this whole thing twice
G|-------15----15----15-----|-------15-----|  but on the second time around
D|----16----------16--------|----16--------|             leave out [Fig. 9b]
A|-------------------13-----|--------------|
E|--14---------14-----------|--14----------|

After Fig. 9 is played once a second 
guitar plays the following once:

 [Fig. 10]
e|----------------------------2-2--|
B|------2----2-----2-----2----4-4--|
G|------3----3-----3-----3--4-4-4--|
D|----4----4-----4----4-----4------|
A|--------------------------2------|
E|--2-----2-----0----0-------------|

F#, E, B x 2
[With Fig. 10 x 2]

Solo:

A, C#, F# x 4

With:

 [Fig. 11]
e|------------------------------------------------------|
B|------------------------------------------------------| 
G|------------------------------------------------13b*--|  
D|--s16-16-16-15----------------s16-16-16-15-----x------|           
A|---------------18-16-18----16~-------------18-x-------|
E|------------------------18----------------------------|

This * note is a very slight bend.

 [Fig. 11 cont.]
e|------------------------------------------------------|
B|------------------------------------------------------| 
G|------------------------------------------------15~~--|
D|--s16-16-16-15----------------s16-16-16-15-----x------|         
A|---------------18-16-18----16~-------------18-x-------|
E|------------------------18----------------------------|

Breakdown:

The bass does most of the work in the first
part of the breakdown part, but a guitar does
play the following:

 [Fig. 12]
e|------|-------|--2~--|--0~-------|
B|------|-------|--2~--|----0~-----|
G|--3~--|--11~--|--3~--|------3~---|
D|--4~--|--11~--|--4~--|--------4--|
A|--4~--|-------|------|-----------|
E|--2~--|-------|------|-----------|

[Fig. 6] with [Fig. 7]

F#5, B5 x 3
F#5, E5, F#5 twice.

The second 
time played with:

 [Fig. 13]
e|-------------------------------------------------------------|
B|-------------------------------------------------------------|
G|-------------------------------------------------------------|
D|-------------------------------------------------------------|
A|-------------------------------------------------------------|
E|--2-2s7-7-7s2-2-2s7-7-7s2-2-2s7-7-7s14-14-14-12-14-14-14~~s--|

Interlude 2a:

F#, E, B 

With:

 [Fig. 14]
e|----------------------------|
B|----------------------------|
G|----------------------------|
D|----------------------------|
A|--2s9-9--2s11-11--2s-14-14--|
E|----------------------------|

After this progression is played once
it is played again but the chords are
played in a certain way, like this:

 [Fig. 15]
e|----------2----------0--2-2--|
B|-------3--3-------0--0--4-4--|
G|-------4--4-------1--1--4-4--|
D|--4-4--4-----2-2--2-----4-4--|
A|--4-4--------2-2--------2-2--|
E|--2-2--------0-0-------------|

Interlude 2b:

F#, E x 7
F#

With:

 [Fig. 16a]
e|-------------------------------|
B|-------------------------------|
G|-------------------------------|
D|--s2h4-4-2h4-4-4-2h4-4-2-------|
A|------------------------4-2-0--|
E|-------------[x-3]-------------|

Harmonised the third time 
played with a second guitar:

 [Fig. 17]
e|------------------------------|
B|------------------------------|
G|------------------------------|
G|--s5h7-7-5h7-7-7-5h7-6--------|
A|-----------------------7-5----|
E|---------------------------5--|

Fig. 16a above finishes
on the following:

 [Fig. 16b]
e|---------------------------------|
B|---------------------------------|
G|---------------------------------|
D|--2h4-4-2h4-4-4-4-4-4-4-4-4-4~~--|
A|---------------------------------|
E|---------------------------------|

Outro:

The bass carries the outro; the guitars
mess around with F# (seperating it into
different parts like in [Fig. 15]. The
second guitar replicates the bassline at
the end. The following figure show both
the main parts:

e|----2-----------2---------|--------------------------|
B|----2-----------2---------|--------------------------|
G|----3--4-4------3--4-4----|----------------4-4-4-----|
D|--4--------6--4--------6--|------4-4-4-4-4-------6~--|
A|--4-----------4-----------|--4-4---------------------|
E|--2-----------2-----------|--------------------------|

Even though the bass ends on
an F# alone, you can also just
strum an F# on guitar.


10. Heers

Intro/Verse 1

Am, D, G, Em
Am, D, D#dim, Em x 2

The second time around a second 
guitar plays the following line:

 [Fig. 1]
e|----------------------------------|
B|----------------------------------|
G|--5---7-5-4-------5---7-5---------| [The x note should really be
D|----7-------5-4-2---7-------------|  -7- on the same fret yet it 
A|--------------------------5~-6-x--|      isn't sounded properly] 
E|----------------------------------|

Chorus:

C, Am x 2

Bridge:

G, C x 6

With:

 [Fig. 2]
e|------------------[x-2]---------3~------------|
B|--3---3-5---------------3---3-5---5---3-5-3~--|
G|----4-----4~------4-------4---------4---------|
D|------------5-0-2---5~------------------------|
A|----------3~------3-------------3~------------|
E|--3---------------------3-----------------3~--|

 [Fig. 2 cont.]
e|--------------------------------3~~--|
B|--3---3-5---------------3---3-5------|
G|----4-----4~------4-------4----------|
D|------------5-0-2---5~---------------|
A|----------3~------3-------------3~~--|
E|--3---------------------3------------|

Am, D x 2

G, Am, D x 4

The first two times the above progression (G, Am, D)
is played, there is a little guitar run than you must
play in between the G and Am; you don't need a second
guitar for this part -- just let the G ring:

 [Fig. 3]
e|--------------------|
B|--------------------|
G|----------4-2-------|
D|------4-2-----2-4~--|
A|--[5]---------------|
E|--------------------|

The final two times the progression
is played, a second guitar plays the
following figure undernearth the chords:

 [Fig. 4a] [Fig. 4b]
e|--------|---------------------------------|
B|--------|----------3-1-0--------5-----7~--|
G|----7~--|----2-4--------------5---5s7-7~--| [Only play Fig. 4a once]
D|--7-----|--5-----5-------5-s7-------------|  
A|--------|---------------------------------|
E|--------|---------------[x-2]-------------|

Verse 2:

Am, D, G, Em
Am, D, D#dim, Em

Chorus 2:

C, Am x 2

Bridge/Interlude:

G, C x 2
G, Am x 12
G

With:

 [Fig. 5 - Piano Line]
e|-----------[x-6]------------|
B|--12-12-13-15-15-15-13-12---|
G|----------------------------|
D|----------------------------|
A|-----------15~--------------|
E|-----------------------15~--|

[Fig. 2] x 5
This does not include
[Fig. 2 cont.]

There's a lead-guitar line in G major on the high E 
string that I couldn't possibly tab -- the effects 
used make it difficult to distinguish between the 
notes... just remember it's in G Major, work out the
effects used and keep an ear out for the rhythm.

Outro:

 [Fig. 6]
e|---------------------------------*--------------------|
B|--0-0-1-3---3-3-1-0~----0------1-3-----3---3---0h1p0--|  
G|--------------------------0~---------0-----0~---------| 
D|-----------------------------------2------------------|  
A|----------3~----------2-2----2---3-----3-3---3~-------|      
E|-[3]----------------3--[x-2]-----*--------------------|

The asterisks mark the point at which 
you stop the second time you play [Fig. 6]

After [Fig. 6] is played once, a second
guitar plays the following figure along
with it for the final time:

 [Fig. 7]
e|---------------------------|
B|--3---3-5---------------3--|
G|----4-----4~------4--------|
D|------------5-0-2---5~-----|
A|----------3~------3--------|
E|--3---------------------3--|

Am, D, G, Em ... fade out.


11. Doris Tailspin (Boring Mountain)

Every album should have an 
obligatory "Woohoo!" point.

There's really no point trying to tab what's going 
on there ... just play whatever you want over these 
chords. 

Jam:

G, Bm, A,
G, Bm, D x 3

G, Bm, A x 2

D

G, A, D x 5

Fade out.

______________________________________

Chords:

F#6:   x-9-11-11-11-11
G#6:   4-x-6-5-6-x
G#aug: 4-x-6-5-5-x
C#9:   x-4-3-4-4-x 
B9:    x-2-1-2-2-x
C#6:   x-4-6-6-6-6
Gsus2: 3-0-0-2-0-3
Asus4: x-0-2-2-3-x
G5*:   3-5-0-0-3-x
G5~:   3-5-0-0-3-3
G5^:   3-5-0-0-3-2
G/F#:  2-x-0-0-0-3
G/E:   0-2-0-0-0-3
D#dim: x-x-1-2-0-2

~   Let ring
h   Hammer-on
p   Pull-off 
s   Slide
x   Mute string
[4] Notes inside these brackets (4 as an example)
    aren't completely necessary but sound right.
_________________________________