Manuel Maria Ponce Prelude No 2 In A guitar tab

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Prelude No 2 In A by Manuel Maria Ponce 12 Preludes - Prelude No 2 in A (Book 1) - Manuel Maria Ponce (1882-1948) fingering by Andres Segovia tabbed by Weed - [email protected] - 7 July 2006 notes and legend below tab tuning - E A D G B E time - 3/8 Vivo (Lively) a m i a a i m i p p 1 | | | | | | | | | | | | | | | |--------------|--------------|--------------|--------------|--------------| |--5h7-5-------|--5=======5===|======5=======|--5--p3---3---|--3h5-3-2-----| |--------7-6p4-|------7---6---|--4-----------|--2===========|----------4-2-| |--------------|--------------|------7---6---|--4===========|--------------| |--------------|--------------|--------------|--------------|--------------| |--------------|--------------|--------------|--------------|--------------| 2 4 2 4 3 1 2 2 4 2 4 3 1 4 3 1 3 f (loud) CII..... 6 | | | | | | | | | | | | | | | |--------------|--------------|--------------|--------------|--------------| |--3--p2---3===|======3=======|--3--p2---2---|--2h3-2h3-5---|----------0---| |----------4---|--2---1-------|--1===========|--2=======----|--------------| |--------------|----------4---|--3===========|--4=======----|--6--h7-------| |--------------|--------------|--------------|--------------|--4===========| |--------------|--------------|--------------|--------------|--------------| 2 1 2 4 2 2 3 1 1 3 1 3 4 3 1 > (gradually becoming softer) f p (soft) CII......... CII....................................... 11 | | | | | | | | | | | | | | | |--------------|--------------|--------------|--------------|--------------| |--2-----3-5===|======--0---0-|--2-----3-2===|====3-2-----3-|--2-----3-2===| |--2=======----|------2---2---|--2===========|--2======-----|--2===========| |--4=======----|--------------|--4===========|--3=======----|--2===========| |--------------|--4===========|--------------|--------------|--------------| |--------------|--------------|--------------|--------------|--------------| 2 4 3 3 2 cresc (gradually getting louder)............ 16 | | | | | | | | | | | | | | | |--------------|--------------|--------------|--------------|--------------| |====3-2-----3-|--5-----7-5===|====7-5-----7-|--5-----7-5===|====7-5-------| |--------------|--2-----------|--------------|--2-----------|------------7-| |--0===========|--------------|--7===========|--------------|--0===========| |--------------|--4-----------|--------------|--4-----------|--------------| |--------------|--------------|--7===========|--------------|--------------| 2 1 4 4 1 4 1 4 4 4 1 4 1 4 1 3 1 3 2 3 < (gradually getting louder)................. 21 | | | | | | | | | | | | | | | |--------------|--------------|--------------|--------------|--------------| |--0-----2-0===|====2-0-----2-|--0-----2-0===|====2-0-----2-|--0-----2-0===| |--2=======----|--------------|--2===========|==========----|--0===========| |--2=======----|--------------|--3===========|==========----|--3===========| |--------------|--------------|--------------|--------------|--------------| |--------------|--0=======----|--------------|--------------|--------------| 4 2 2 2 2 3 2 3 1 2 3 dim (gradually becoming softer) ............. rit (slowing down) CII..... 31 | | | | | | | | | | | | | | | |--------------|--------------|--------------|--------------|--------------| |--------------|--------------|--------------|--------------|--2h3-2h3-5---| |--------------|--------------|--6===========|==============|--2=======----| |--2h4-2-0-----|--------------|--7===========|==============|--4=======----| |----------4-2/|//7===========|--8===========|==============|--------------| |--------------|--------------|--0===========|==============|--------------| 2 4 2 4 2 2 2 f p arp arp 36 | | | | | | | | | | | | | | | |--------------|----------0===|==============|-)5===========|-)5===========| |----------0---|--1h3-1h3-----|--------------|-(7===========|-(7===========| |--------------|--2=======----|--0-----------|-)7===========|-)7===========| |--6--h7-------|--3=======----|--2-----------|-(0===========|-(0===========| |--4=======----|--------------|--3-----------|-)0===========|-)0===========| |--------------|--------------|--------------|-(0===========|-(0===========| 3 1 p pp (very soft) pp CV 41 | | | | | | | | | | | | | | | |--------------|--------------|--------------|--------------|--5===========| |--------------|--------------|--------------|--------------|--------------| |--------------|--------------|--------------|--------------|7p6===========| |--------------|--------------|--------------|--------------|--------------| |-==========|--------------|--------------|--0===========|--7===========| |--------------|-=========|--5h7-5-4-2-0-|--5===========|--5===========| 2 4 2 1 1 4 ff p CV 46 | | | |--5==========|| |-------------|| |7p6==========|| |-------------|| |--7==========|| |--5==========|| p notes ----- hammer-ons and pull-offs have been used for slurs up and slurs down legend ------ right hand fingering above tab left hand fingering below tab p - thumb 1 - index i - index 2 - middle m - middle 3 - ring a - ring 4 - little h - hammer on CII - barre on the 2nd fret = - note held CV - barre on the 5th fret p - pull off - natural harmonic on the 7th fret / - slide up to next note - natural harmonic on the 12th fret arp - arpeggiate

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